Minotaur Shock at first never caught my ear because I skipped thru the songs too quickly but the meat and potatoes of “Luck Shield” makes me so disappointed in myself that I didn’t catch this song before. The song sounds like a collaboration between Mum, Calmer and Final Fantasy because of the gentle melodies, the jazzier drum at times and its heavy on the strings in the main parts.
Niagara Fall’s americana lo-fi folk artist Joe Lapalgia only has a 5 track EP under his belt but that doesn’t mean his sound isn’t mature, with hints of Red House Painters and Bon Iver on the Day Behind EP I definitely see a bright future for this young man.
If you’re listening to song after song on this post then jumping from lo-fi folk to tech-house sometimes might be a bit of a stretch especially on a Monday but Josh Wink is a definite veteran in making some of the catchiest dancefloor tracks.
I’m still trying to figure out this song that Andy Webb “blended”, is it pieces from different songs by each musician listed? if so, is the song title also pieces of song titles as well? either way it sounds like an extended Cut Copy remix in my opinion thats done really well but pretty much anything Erlend Oye is on is gold so good choice(s) Mr. Webb.
Minotaur Shock – Luck Shield
Joe Lapaglia – Birds Flew By
Josh Wink – Everybody to the Sun
The Whitest Boy Alive vs Mylo vs Cut Copy – Otto’s Golden Journey (Andy Webb’s Dreamy Blend)
I’ve been meaning to share this reissue of Paul McCarthney’s side project The Fireman. I’m really fascinated in every sound he uses in this collection of songs but almost each song sounds the same on the LP. I’m guessing it might be for something as simple as meditation use or maybe there was a longer version of this LP as just one live set that he pieced out into songs and he ran the same sounds thru the whole piece? what do you guys think?
Animal Collective keeps pulverizing the 2009 year, this time with a remix for Brooklyn’s Ratatat duo. This isn’t a song you skip around on and decide you don’t like because you sit thru the first 2 minutes and it might not do anything for you but where they build from there to about the 7 minute mark is a complete mind bend that can only be described by me as if the NES game Jackal(where you drive around in the Jeep’s) completely went spastic into some stuttering dream sequence which sounds awful but its a good thing.
One of the first records Tom Croose ever played me was this Paul Simon edit by Todd Terje, now I always ask him to play it whenever he dj’s out around town.
I’ve known Seth Troxler since he was in his teens, a definite talent in the house/techno world. He has this ear for perfecting tweaked vocals and keeping a song interesting by getting a new sound out of what works on the dance floor. The part where he comes in is where he disassembles tracks and follows the paths of people like Arthur Russell and Matthew Dear.
To keep with the older music kick recently I wanted to share/confess i’m not a big Beatles fan but I am a fan of this Paul McCartney song, some friends of mine have tried to play me some Beatles but I just couldn’t do it until I heard one record they did and it really grabbed me but I can’t for the life of me remember which one it was, its not that important, its not like there music is going to disappear anytime soon.
4 stunning and steady tracks for a monday afternoon, i’ve included more Studio which I re-fell in love with over the weekend and some recent purchases of tracks that I only had on vinyl. The Underground Resistance track is a must listen if you want to get a taste of the melodic side Detroit Techno.
First of all, i’m going over this Deodato(which is the cover art above) live version of Do It Again and I realized I heard the best thing ever which is just ONE guy whistling really loud in the middle a key solo like it was the only record he had at home. These 4 tracks have something in common other than just being old, you can file them all under Yacht Rock which is an amazing genre of music if you like your brass section epic, your bass guitar lines soft and smooth, your keys saturated like off white stage light glare and most importantly strings being played like your in a 70’s spy movie chase scene in speedboats. It’s an easy genre to rip on i’m sure for people that don’t dork out on the certain instruments that I mentioned before but if you take all the labels off of it or any bad memories then this music has a lot to offer in my opinion.
We have written about this release before here with the Tycho free single and here with a bit more information about the project, now after the free download its officially out in digital retail stores with an exclusive Solvent track and available in physical CD format. Here is what Ghostly International had to say about the release thats #5 on iTunes Electronic charts – “Cartoon Network’s genre-defying [Adult Swim] programming rearranges comedy’s basic building blocks into oddities like Aqua Teen Hunger Force and Tim and Eric Awesome Show, Great Job!; Ghostly International’s artists scramble the language of dance and pop music into something strange and artful. It was only a matter of time before the two found each other and made adorably freakish babies.
The Ghostly Swim compilation is a collaboration between Ghostly International and [Adult Swim], a 20-track mix (curated by label founder Sam Valenti IV) of tracks from Ghostly’s avant-pop mainstays like Matthew Dear, Michna, and School of Seven Bells, alongside kindred spirits like Milosh, FLYamSAM, and Mux Mool. Ghostly Swim’s best tracks embody the label’s trademark mix of playful darkness and irreverence – Deastro’s lurching robot-rock anthem “Light Powered,” The Chap’s bizarro-world pop hit “Carlos Walter Wendy Stanley,” Michna’s slinky-smooth “Triple Chrome Dipped” – making them an ideal accompaniment to, say, pissing in your pants over Harvey Birdman: Attorney at Law.
Ghostly Swim was initially released in early 2008 as an exclusive free download on [Adult Swim]’s website. Now, the groundbreaking compilation is available both on iTunes and as a limited-edition CD (available only through the Ghostly Store, free with a purchase of $20 or more), and includes a bonus track: Solvent’s banging cover of Madonna’s “Hung Up.””
I’m really impressed by Warp’s new signing Hudson Mohawke, I’ve had this song Monde on repeat for days now and it deserves the love its getting and has been competing with Animal Collective on my iTunes this week. Fun little fact, did you know that the new Animal Collective LP debuted in the Top 10 in the Billboard charts? I’m loving 2009 more and more.
Mux Mool sent me this track by Erobique which is on iTunes Indie Spotlight this month. The record label looks like it has some raccoon dog on it that’s wearing a hat, which I kinda love. I’d love to know what he sampled for the vocal though, its epic and comes in like a J Dilla track vocal, dare I say this might be what Dilla would of sounded like if he had to make one disco cut.
So you have bought all the Gas and Burger/Ink LPs, now what else is there? well Kompakt reissued Wolfgang Voigt’s Studio 1 alias on CD which grabs up some tracks that we’re vinyl only for awhile. It’s very minimal and straight forward dubby techno on a regular house system but when DJ’s play these tracks out I always flip for them.
I know its Caribou now since the forced name change but i’ll always think of Manitoba when I pull out his Up In Flames LP to listen to. Who can hate this Hendrix With Ko song? no one thats who because Its got something for everyone. Anyone know what synth that is at 2:40? is it just digital replica? because I want it following me around everyday.
Before Justice and when Daft Punk was starting off there were some big names in the house(vinyl only) world like Bob Sinclar, Doc Martin, and Louie Vega. None of them besides Doc Martin are worth checking out now since they’ve failed in my opinion especially if you compare recent work to old. Those 3 guys though back then had catchy hooks without the flash and trendy effects over them, this Supreme track by Mogi Grumbles feels like the perfect bridge to get all this distortion house back to a enjoyable level for all the different fans on the dancefloor.
I saw Eliot Lipp play the other night with Laser Sword, Glitch Mob, and a few others. The man is very impressive live especially when he’s on the Moog playing the songs. Looks like he’ll be touring the US more in the coming month, he’s definitely worth checking out.
Sam Valenti posted this Peter Schilling song on Facebook the other day and I haven’t heard a catchier chorus in a song like this since Simple Minds I think, also you can’t ask for more than a repeating chorus at the end of a song that goes into a fade out.
If you watch TV at all you’ve probably seen the Nike LeBron James commercial with this song by Cornershop, the song is perfect for the video, I hope to see more commercial licensings as good as this in 2009. *throws chalk up in the air*