Do you ever feel like I post too much electronic music? do you ever look at my post and just past by it and put on The Decemberist on? well here is my attempt to make your ears smile.
This summer has alot of promise here in Brooklyn, i’m looking forward to a lot of bands to come thru and blow me away, one in particular is the Harlem Shakes, they maybe my New Villager or your Clap Your Hands Say Yeah or your friends Passion Pit, listen and let me know what you think.
Deastro will be playing a few shows i’m sure with Tycho this year besides just the Detroit and Toronto shows coming up. Randy Chabot is a great if not amazing stage presents when you first see him perform. His sound for Vermillion Plaza is like a young U2 meets the soundtrack to Sonic the Hedgehog(specifically that 3D tube level where you run with tails…blah you might not know what I mean). Either way this band has epic talent and their Moondagger LP will be one that will be remembered on Ghostly’s release catalog.
New Dinosaur Jr. is hitting the record store shelves and all I want to do is listen to Feel The Pain.
When Tortoise comes to mind all I can think about is 3 things: First is fatty synth magic and second is there drummer can’t be a real person and third I remember the first time I saw the drummer play for Prefuse 73 in Detroit years ago and he was soo on point that he literally played one of the most complex parts i’ve seen him play all night while directing, pointing and yelling at the sound guy to the point that playing the song was 3rd on his priority list but still killed it, pure talent in my opinion, oh yeah and the rest of the band is good too.
I feel like we need a good dose of funk and soul sometimes on this blog and Monday couldn’t be a better day for it. This weekend I went to see the Stones Throw Label Showcase at Le Poisson Rouge featuring Dam Funk and James Pants, the crowd was pretty good given the fact they played the Natural History Museum the night before. Dam Funk really stuck out for me as a DJ, he kept the crowd in it by singing over every track and his personality was something you could never hate, he only wanted everyone to have a good time. Below is a super raw mix but the tracklisting is pure class, enjoy.
1.THE ANTILLES – “I’ve Got To Have You” :: Creole / ‘83
2.GODMOMA – “Godmoma Here” :: Elektra / ‘81
3.CIRCLE CITY BAND – “Magic” (instr ver.) :: Circle City / ‘83
4.UNO – “Boogie Beat” :: Tryon Park / ‘80
5.RAH BAND – “Messages From The Stars” :: TMT / ‘83
6.SIDE ON – “Magic” :: Beggars Banquet / ‘83
7.SAVANNA – “Never Let You Go” :: R&B / ‘82
8.ZALMAC – “I Get Down” :: TSOB / ‘82
9.VAUGHAN MASON featuring BUTCH DAYO – “You Can Do It” (instr. ver.) :: Salsoul / ‘83
10.WIZARD – “It’s On” :: Chocolate Cholly’s / ‘82
11.GASTON – “Everywhere a Funk, Funk” :: Chocolate Cholly’s / ‘81
12.CAROL CHINNETE w/ The Concrete Band – “Cyanide Love” :: Zilco / ‘84
13.AARON BROOMFIELD – “Polyphase (Instrumental Poly Rythums) :: Mountain / ‘83
14.*WYND CHYMES – “Baby You’re The One” :: Shakin’ / ‘80 (*’D-F’; The 1st selector on the west-coast, maybe all of the U.S., to play this particular ‘original press’ rare 45″ out!)
15.INDEX – “Starlight (The Break)” :: Record Shack of London / ‘81
16.FIREFLY – “Show Me Tonight” :: Emergency / ‘82
17.NEXUS – “Stand Up” (instr. ver) :: Mr. Disc / ‘83
18.JAMES PANTS – “Ka$h” (instr. ver.) :: Stones Throw / ‘07
19.THE VERDICT – “That’s Where I Come In” :: Nuance / ‘8?
20.PEE WEE – “Be My Girl” :: Streetwise / ‘82
21.BARON ZEN – “Burn Rubber” (dãm-funk Remix / instr. ver.) :: Stones Throw / ‘07
Whenever I can sneak in a little J Dilla on the blog it makes me smile, I feel like its never a bad thing or that someone would ever say “you know what, there is too much Dilla being played”, actually I don’t think thats ever been said, i’m going to google that phrase…nope no one has ever said it.
Just picked up that Hudson Mohawke EP on Warp on vinyl last week at Other Music but i’ve been looking for this track in the stores. The middle of the track gets a bit too airy and distant for me but the vox with those keys in the last 45 seconds makes it all worth sharing with you.
One of the most avant producers i’ve ever met is Joseph Sims aka JDSY, his aesthetics might come off as a darker Dan Deacon or a unkept geocities site that holds a hidden message but his music is unlike any other. The choices for sounds and melody patterns on his releases give me goosebumps.
Why can’t there be a great AM Gold internet radio station online? that plays Fleet Foxes and Gordon Lightfoot all day and night.
Hello, ISO Massive. I’m Sam – Scott and Jakub may have mentioned me before as SV4. I’ve worked with Jakub for a long time at Ghostly, and I have the distinct pleasure of releasing Scott’s work as Tycho on my label. Today, Scott and Jakub have humored me with some column space.
My musical history is all over the place from Hip-Hop to Italo to IDM to Funk, and i’d love to bring some of my favorite lost/forgotten gems to the table…
What i love about the ISO50 headspace is that it evokes a long-forgotten, if not imaginary, past. To my ears, these songs all share that elusive quality: it’s music from a time you think you remember, but were never alive to see.
Paul Hardcastle was a jazz guy with an electro hip-hop influence; dude was nice with a drum machine. You can still hear “Rainforest” and “19” on both late-night urban radio and at your dentist’s office. Daniel Wang put me onto this track and I later found the LP at a used-record store in Berlin. I’ve never found the opportunity to DJ with it, but it’s amazing to pretend there’s an audience that would want to get large to this.
Paul Hardcastle – Stop The Clock
Mike Oldfield is best known as the guy who made “Tubular Bells,” the eerie synth classic which was later adopted for the Exorcist movies. This cut is amazing – it makes you want to drive a speedboat as slow as it will go and watch the coastline.
Mike Oldfield – Foreign Affair
The Alan Parsons Project catalogue has some of the best “dad pop” of the ’70’s and ’80s. Parsons, a studio wizard with a great beard, was a production maverick and could write an amazing hook (“The Eye In The Sky” will make you feel like you’re at the mall waiting for your mom to run errands circa 1985). This track became big in disco DJs’ crates because of its endless groove and largely instrumental composition.
The Alan Parsons Project – Mammagamma [Instrumental]
Marc Moulin is criminally underrated and passed away last year. He is perhaps best known as part of the pioneering Belgian electronic group Telex, who have been immortalized by their Italo-style classic “Moskow Diskow” Moulin’s Placebo Years CD was reissued a few years back by Blue Note in Europe, but it deserves a much wider re-release. Moulin’s own work is more on the jazz-fusion side, but it’s heavy on the electronics, which is probably why he’s been sampled a lot – especially by J Dilla.
Burial and Four Tet have just put together probably this years best collaborative effort on vinyl. The vinyl release contains two 9 minute tracks that show off both of their skills of making catchy repetitive melodies that lay over airy soundscapes and softened keys. Moth has the potential to become a great piece to space out too while Wolf Cub asks for more of your attention while it plucks along and kicks into dubstepville.
I don’t know much about Bonobo, I really never gave them a real chance in the past because I thought it wasa lounge act mostly because of their album covers just reminded me of those ungodly generic Hotel Costa compilations. This Recurring track is sensational, reminds me of earlier Four Tet and just for you Four Tet followers the new Burial/Four Tet collab 12″ is mind blowing, i’ll post soon.
I was going to wait and make a post titled: Shout Out Out Out Out + Chk Chk Chk + Tings Tings and a bunch of other bands that feel the need that they need to have the same word in their band name twice or more but I got bored of it and erased it. Let’s just get to the real point here which is Shout Out Out Out Out is pretty great no matter what bad choices they make for a band name. The vocal is really catchy and parts of that cover are real nice but I feel that the better designed pieces are the smaller parts and the centered simple illustrations that aren’t as interesting take up too much of the cover, i’m not hating at all here i’m just saying is all.
One of the first 2xLP’s I ever bought that was for DJing something other than Techno or House but still only electronic was Miss Kittin & The Hacker: First Album, it had this feeling all the way thru similar to a beautiful girl that you looks sweet but rude and cold to everyone.
I think I read on Twitter somewhere that Sally Shapiro has a new LP coming out, if that’s true then i’m pretty excited to see what she does. Her last LP was a great release and she has grabbed great remixers like The Juan MacLean and this Lindstrom Dub edit pretty on point if you love drawn out space disco edits.
The deeper I dig into the Dubstep world the more I find myself obsessing over it and its impressive low end, this Martyn track even at a 128 bit rate rumbles like no other track that I have in my iTunes and the arrangement in the highs of the rhythm is some of the best i’ve heard in awhile.
Here is an older track from The Reflecting Skin aka visual artist Philistine DSGN, it has some beautiful epic parts similar to gorgeous work done by Bjork and Nine Inch Nails.
Not to creep you out with this being the song from Silence Of The Lambs but if you take it out of context its a pretty amazing synth pop anthem but still the imagery from the movie slide into my head.
Sally Shapiro – Time to Let Go (Lindstrøm Dub)
Martyn – The Only Choice
The Reflecting Skin – Shadow Of A Bomb [Instrumental]