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Dub like this track from Orphan is rare, its not as murky or linear, I find it really entrancing because it has old IDM melodic structure, I end up playing it over and over.
I wish you could see my face when this Dirty Beaches song comes on, i’m shaking it in disgust, it changes you, the drive the musk the maturity and rawness just tosses your cares aside. You don’t enjoy a song like this, it sets a mood that for the record has more balls than any Johnny Cash song.
The Revenge’s production is been slightly evolving away from disco, the edits almost seem like a trend from the past, I love both so either way i’m happy.
“World” music has a huge atmosphere that still hasn’t been explored, there is fusion and mismatches that will most likely not be made in my lifetime, well atleast Egyptian Sports Network is taking a proper stab at it.
ISO50 Playlist 16 – Compiled By Heathered Pearls & Tycho Track Listing Bibio – A Tout a l’heure Bonobo – Cirrus Machinedrum – Whatnot Atoms for Peace – Default Sepalcure – He Said No XXYYXX – Alexis Airbird & Napolian – In The Zone Toro Y Moi – Say That (DaM-FunK Re-Freak) Dauwd – Ikopol Lord RAJA – Panthera Bengal Chrome Sparks – Marijuana Ulrich Schnauss – I Take Comfort in Your Ignorance (Tycho Remix) Yuna – Lullabies (Jim-E Stack Remix) Maribou State – Scarlett Groove (Feat. Saint Saviour) Clarian & Guy Gerber – Claire Nosaj Thing – Eclipse/Blue feat. Kazu Makino (Blonde Redhead) Beacon – Bring You Back White Denim – Street Joy Youth Lagoon – Mute Frank Wiedemann & Ry Cuming – Howling Smashing Pumpkins – Cupid De Locke Avey Tare – Bobby’s Loop Meanderthals – Collective Fetish Superstructure – Escape Levek – Girl In The Fog John Talabot & Pional – Braves Grizzly Bear – gun-shy (Lindstrøm Remix) Poolside – Next To You Hot Chip – How Do You Do? (Todd Terje Remix) Lindstrøm & Todd Terje – Lanzarote Lescop – La Foret (Joakim’s Balenciaga Remix) Black Sabbath – Planet Caravan [DJ Steef Edit] Ptaki – Krystyna Todd Terje – Snooze 4 Love (Version) Darkstar – Timeaway Knxwledge. – wishuwerehere. Throwing Snow – Aspera Andy Stott – Numb The Holydrug Couple – Out of sight
Since Beacon has toured with Tycho they have found themselves some proper exposure from singing live with Sarah Barthel from Phantogram to hitting the road with How To Dress Well. The duo will hopefully be all over the states and EU this summer and fall, until then just enjoy the stream above.
Thomas Mullarney and Jacob Gossett, aka Brooklyn duo Beacon, introduced themselves to the world with the No Body and For Now EPs, both released last year on Ghostly International. The EPs were united by minimalist, R&B-influenced instrumentation, and also by a lyrical theme, with both serving as meditations on the darkness that underpins the most intense of human emotions: love.
The duo’s debut album The Ways We Separate both consolidates and develops these ideas. The album focuses, as the title suggests, on the idea of separation — both within the context of relationships and in a more intimate, psychological sense. As Mullarney explains, “The narrative contained inside The Ways We Separate deals with two kinds of separation: one where two entities grow apart, and the other where we grow apart from ourselves. Over the course of a relationship, the two sometimes happen together, one being the result of the other.”
Desires, passions and regrets are central to the songs on The Ways We Separate, which take a variety of perspectives to construct a nuanced reflection on the album’s central theme. ‘Between the Waves’ draws a clever analogy between relationships and soundwaves falling out of phase: “I know all the ways we separate/ Where we start to fade at different frequencies.” ‘Overseer’ catalogues a parting of the ways with discomfiting clarity: “Isn’t it fine?/ Taking it slow?/ Watching you watch me walk out your door.” And album closer ‘Split in Two’ explores how the extremes of love and loss can take you far away from being the person you thought you were, making explicit the connection between the two ideas of separation: “What I’d do for you?”, sings Thomas Mullarney, “Split myself in half/ Divided into two.”
Musically, The Ways We Separate finds Beacon working with a richer sonic palette than ever before —as Gossett says, “The production on this album is much more expansive than anything we’ve done thus far. We spent a lot of time exploring new gear and experimenting with how to pull a wide range of sound out of various instruments. Some of the key sonics that shaped this LP are analogue synthesis, lots of heavily processed guitar work, and vocal layering/processing.” While the abiding mood remains that of late-night introspection, the production draws from elements of hip hop and a wide gamut of electronic music, marrying intricate beats and subtle textures to honeyed pop melodies that belie the album’s conceptual depth. Rarely has bleakness sounded so pretty — this is a record that’s deceptively, compellingly beautiful, an exploration of a place both discomfiting and darkly seductive.
02 Reach for the Dead
03 White Cyclosa
04 Jacquard Causeway
06 Cold Earth
07 Transmisiones Ferox
08 Sick Times
10 Palace Posy
11 Split Your Infinites
13 Nothing Is Real
15 New Seeds
16 Come to Dust
17 Semena Mertvykh