I really don’t know what to say about Dirty Projectors, I like the synth part and the girl vocals are growing on me slowly, its definitely a nice change up for radio charting indie pop. I would love to hear your guys thoughts on it.
Last weekend I went to Public Assembly which is a venue here in Brooklyn to hear Alva Noto play but I missed his set instead I caught Byetone which was an amazing show, i’d post pictures but they look kind of crappy. If you haven’t heard much from the Raster Noton label then here is a nice intro of the more gentle side of the label from Alva Noto & Ryuichi Sakamoto.
I’ve been seeing more posts on CocoRosie recently which means maybe a new record is in the works? I remember loving this song and playing it at this wine bar weekly every time I DJed, the kitten samples kinda make me laugh, just makes me think if you sat down to make music when would you ever decide to add those to your song?
Yasume takes me back to the more geeky IDM music that had substance and still kept the warmth so it never felt too digital, really nice to hear on a nice system and not my 70USD Altec Lansing computer speakers.
For some of you that don’t know Bleep is the digital retail store for the label Warp Records that carries specific labels and artists that they hand select. They just released a great compilation called “Showcase Vol. 1″ and here’s the best part: its only 1£ or $2(USD) for all 11 songs! So I went ahead and picked 4 of the songs that i’d alone just pay a buck each for, don’t worry there isn’t ever going to be a pack rat issue in your iTunes so just pick it up.
When has Bibio ever wronged us on this blog? never has and never will, the man honestly makes some of the most gorgeous originals and remixes and this one is no different than the rest. Just think maybe we can get him to do a Tycho remix?!
I have a feeling i’ve already post this Bullion song but it was unmastered or ripped from vinyl and muffled. If you haven’t heard of Bullion then you should know that he kills it by mashing up Beach Boys and J Dilla.
Om Unit reminds me of the classic Aphex Twin track Didgeridoo but just a great edit in 2009, if you can get into this you’re definitely a friend in my book.
Kelpe does that sound that I still don’t how to make because I just feel too white, its that sound if I had to show you visually it would look like im playing with a Jacob’s Ladder toy and its getting stuck once in a while in its own ropes.
I know, it’s been way too long since we updated the Playlist, but the third installment is finally here. It’s sort of all over the place and I tried to add in a few extra tracks to make it worth the wait so there should be a little something for everyone. This will be the last one I personally compile for a little while, we’ve got some guest playlists lined up for the coming months and they should drop more punctually than this one (once a month or so). Also still working on the recall feature so you can go back and listen to past playlists, I’ll post on that when it’s ready. For now, sit back, relax, and click “Play” at the top of the center column (RSS readers must visit the site). Enjoy!
800BELOVED – GALAXIES
THE PAINS OF BEING PURE AT HEART – YOUNG ADULT FRICTION
GRIZZLY BEAR – CHEERLEADER
THE WHITEST BOY ALIVE – 1517
BIBIO – AMBIVALENCE AVENUE
DEERHUNTER – AGORAPHOBIA
EXPERIMENTAL AIRCRAFT – UPPER EAST SIDE
BULLION – LONG PROMISED – ORIGINAL MIX
J DILLA – GOBSTOPPER
MUX MOOL – NIGHT COURT
ELIOT LIPP – BEAMRIDER
MODERAT – A NEW ERROR
DEASTRO – LIGHT POWERED
MAX TUNDRA – WHICH SONG
NATHAN FAKE – SUPERPOSITIONS
ROYKSOPP – HAPPY UP HERE
DAMN ARMS – DESTINATION PT. I
EVERYWHERE FT. MARTINA TOPLEY-BIRD
FEVER RAY – WHEN I GROW UP (VERSION BY LISSVIK)
TIM HECKER – SEA OF PULSES
TYCHO – COASTAL BRAKE MANUAL REMIX
PANDA BEAR – I’M NOT
A SUNNY DAY IN GLASGOW – WATERY (DROWNING IS JUST ANOTHER WORD FOR BEING BURRIED ALIVE UNDER WATER)
AIRIEL – CINNAMON
SHIGETO/A SETTING SUN – POLAROID ROMANCE
ARIEL PINK’S HAUNTED GRAFFITI – FOR KATE I WAIT
CHRIST – PYLONESQUE
In a foggy new england town there comes a distant yet constant bump from a poorly lit dive bar. This rumble comes from the only turntables in the village spilling out the Detroit house and electro pulse. The youngsters flock towards this other worldy distant sound inviting them to flail their bodies to the demanding rhythm.
Behind these turntables stand a couple of fledgling producers named Matt Young and Grant Wheeler. Their pop remixes crafted for each week’s set provided only a hint of their direction in this world of visceral music. However, once combined with the angelic soul stylings of Angelica Bess, a sound took form they could call their own, a sound as instinctual as their own body language.
Just as they uttered their first musical words together, the sound of this small new england town started to fade. A new mechanical rumble came from the earth that was the sounds of New York City. With these city sounds, emerged a voice that spoke volumes of new influences. Body Language was quick to respond, and offered a five song EP aptly titled, Speaks which will be out June 16th and i’ll definitely be sharing a few tracks from on the ISO50 blog.
Upcoming NY Shows:
• 6/10 w/ Mux Mool, Bluejay @ Public Assembly
• 6/17 w/ Giantess @ Piano’s
• 6/19 w/ Passion Pit, Bear Hands @ Bowery Ballroom
• 6/20 DJ Set w/ Miike Snow, Macabees @ Williamsburg Music Hall
Volume 1 – Body Language Soul Influences – DOWNLOAD
Intro / Roy Ayers – Everybody Loves the Sunshine / Pretty Purdie – Don’t Go / Air – Le Soleil Es Pres de Moi / The Temptations – Just my Imagination / Otis Redding – Sitting on the Dock of the Bay / Marvin Gaye – That’s the Way Love is / Percy Sledge – You’ve Really Got a Hold On Me / Jimmy Hughes – Steal Away / Martha Reeves and the Vandellas – Jimmy Mack / Stevie Wonder – Signed, Sealed, Delivered / Raphael Saadiq – Love That Girl / The Marvelettes – Heat Wave / Ray Charles – I’ve Got A Woman / Diana Ross and the Supremes – Come See About Me / Jamie Lidell – Multiply / The Commodores – Brick House / Patrice Rushen – Hang it Up / James Brown – The Payback / Nina Simone – Don’t Let me be Misunderstood / Beach Boys – Don’t Talk
Volume 2 – Body Language Disco Influences – DOWNLOAD Roy Ayers – Running Away / Daniel Wang – Like Some Dream I can Stop Dreaming / Escort – Starlight / Hercules and the Love Affair – Blind / Indeep – Last Night a DJ Saved My Life (Mirage Remix) / Evelyn Champlain King – Love Come Down / Kerrier District – Lets Dance and Freak / Marvin Gaye – Got to get Down / Kano – i’m ready / Prince – Controversy / Giorgio Moroder – The Chase / Metro Area – Seduction / Michael Jackson – Off the Wall / Ian Preece – Superfuzz / Panthers – Goblin City (Holy Ghost! disco dub) / Motown Sounds – Bad Mouthin’ / Black Devil Disco Dub – The Devil In Us
Volume 3 – Body Language Detroit Influences – DOWNLOAD Mr Fingers – Can You Feel It / Move D – Quit Quittin / The Other People Place – Let me be me / Joey Beltram – Energy Flash / Adonis – No Way Back / Jeff Mills – Automatic / F.U.S.E. – Substance Abuse / Drexciya – Water Walker / Inner City – Good Life (Magic Juan Mix) / Morgan Geist – Detroit (Carl Craig Remix) / Green Velvet – Shake and Pop / L.F.O. – LFO / Laurent Garnier – Crispy Bacon / Dopplereffekt – Sterilization / Detroit Grand Pubahs – Sandwiches / B12- Hall of Mirrors
You may know Daniel from the group Judah Johnson or you may know the original of Does Not Compute by Prince but this is the official debut of his Bulbz EP which includes 3 covers of Smokey Robinson, Kanye West and this cover of Prince. When I hear Daniel’s production it reminds of Jamie Lidell’s singing style meeting up with Radiohead’s spastic breakdowns and somehow Daniel pulls it off and makes that marriage work. Please excuse the PG-13 cover we got going on today, don’t worry they’re a couple that read the blog so its nothing scandalous.
Dirk Leyers maybe better known for his work on Kompakt as half of Closer Musik which is a very seductive minimal house project which is located in the recent playlist on our blog. The song Wellen has this nice swing to it right from the start and the long synth melody can easily be burned into your memory.
We’ve had Jim O’Rourke already on the blog before and I think the other song was actually off this same EP but I needed to post this track because it came up on shuffle last night and I think the horn parts are perfect and maybe you might agree.
Canada’s The Mole might be one of most smiley DJs i’ve ever seen play, I remember seeing his performance at MUTEK years ago and him just really enjoying himself almost to the point that I thought he might be watching something funny while playing LIVE off his laptop. Knock Twice has a strong simple groove which is almost appropriate for any dance set you can think of.
I remember the first time hearing Piano Magic right before Greg Davis went on at the Magic Stick in Detroit, the song that was being played was called Halloween Boat, I was going to post that but its a 10USD MP3 everywhere but well worth the 18+ minute bliss. Well I dug deeper and asked a few friends on what albums I should hear and Snowfall Soon was a definite surprise, just some beautiful fuzzy guitar and strong lyrics from the post shoegaze era.
I remember there was a time when a ton of netlabels popped up and every releases was given out for free by all these labels but it also kind of hurt the industry in my opinion because full albums were going up with no one filtering them. A few stuck around and never updated their site(ugh I hate when that happens) and most of them just folded because it was a college students hobby to release friends music. One track that I remember during this time was this song by Digitalverein, I just love how the song jumps in at the beginning, so dark and angular, like some stiff and nerdy digital IDM/Dubstep without the low end and abit too much static.
Shuttle358 i’m pretty sure has a small following but the people that do follow him are always in for a treat. Its very minimal work but there are always hidden melodies and I feel like its more rewarding then most 12k releases that thrive on a sound like this.
Oh Black Moth Super Rainbow, can your crackles be more hash and lovely? can your synths be more piercing, upfront and heavy? oh god the nostalgia just oozes all over my memories of old store signs and sun splattered visions of car rides to school in the winter.
To get the full effect of a lot of the music posted here I usually would suggest headphones because I want you to sometimes hear all the little changes and parts in a song kind of like this Yo La Tengo song and some of the ambient pieces. I remember listening to the Summer Sun album on vinyl years ago and worrying that I was going to ruin my copy because I playing it too much. The beginning sounds like a little satellite calling out for attention and then slowly it picks up and becomes a song that almost forces you to smile because it doesn’t scream for attention but so attractive. It just sounds like its gently just having fun in the corner and you’re invited to hang out with it. When I hear this song I always picture someone crying and then stopping and then trying to hold back a smile, good work Yo La Tengo.
I can’t say I like a lot of Clue To Kalo but this song Empty Save the Oxygen reminds me of Lemon Jelly meets early Dntel, a perfect way to change pace on a mixtape for a close friend.
Soul Jazz Records Ltd doesn’t mess around and if they experiment and sign something off the beat and path of electronic music i’m willing to follow it for a while and give it a chance. This is the first i’ve ever heard of Subway, the songs give off this vibe that detailed things are growing and building around you, its perfect music for suspenseful Nouveau Circus or fans of Tangerine Dream songs that get to the point or DFA’s Delia Gonzalez and Gavin Russom.
Have you heard Shadows of Tomorrow and tried not to nod your head? its impossible and thats a fact.
With GM in the news, I was thinking about Detroit tonight. Detroit was the city I grew up closest to. My father grew up here and his dad worked on the Mercury Zephyr line.
Growing up near the city, the musical influence was huge. On any given weekend in the mid-to-late nineties, late night radio would mix up everything from the classic Art Of Noise song “Moments In Love” to local ghetto tech beats and new drum and bass coming out of the UK.
Much has been made about the city and why it’s music sounds the way it does. The desolate beauty, the mechanized auto factories and even the isolated water-ensconced nature of the state. All if it is true.
Here are four tracks that give me that Detroit feeling. These not the more discussed and celebrated classics, but more personal favorites.
Psyche – From Beyond (Transmat)
Carl Craig is a real legend and continues to impress. This song, under the Psyche alias is perhaps one of my favorite tracks ever. It has a crazy spell to it. It’s not quite techno and it pre-dates the breaks and jungle genres. It’s on it’s own planet. Pure late night driving music to roam the vacant freeways.
Cybotron – Cosmic Raindance (Fantasy)
Note: Please play on a proper stereo or headphones as the bassline is what holds this all together. Juan Atkins (“The Originator”) is arguably the greatest groove maker of the Detroit techno school. Cybotron, his group with Richard Davis and John Housely is responsible for some of the most seminal cuts that have been sampled and re-interpreted endlessly. I remember driving down to the store Record Time in our friend’s Ford Fiesta, listening to this on repeat and his subs would rattle the entire frame. Simply majestic.
Drexciya – Digital Tsunami (Tresor)
Drexciya is the most mythical duo of the Detroit techno school. The duo of the late James Stinson and Gerald Donald (also of Dopplereffekt, more on that later) made aggressive yet liquid odes to the ocean and it’s provence. This was a later cut, but got me into their brand of mutated electro. Their original pressings fetch a pretty penny on eBay and with good reason.
Suburban Knight – Collaboration Alpha (Peacefrog)
As part of the vaunted Underground Resistance Crew, Suburban Knight racked up a Detroit classic with “The Art Of Stalking” and also co-wrote tracks with Kevin Saunderson for his seminal and wildly successful Inner City project. This is a more recent track, and not a “classic” by any means, but I chose it because it’s important to recognize that Detroit techno is not a vintage style, it’s a methodology and an ethos that will continue to exist.