Ten years ago, I was a lowly, heartbroken college freshman, working with my friends Disco D and Matthew Dear on our first single, “Hands Up for Detroit”. Now, after a decade of hard work, finding an amazing team, and a little bit of luck, we’re fortunate enough to celebrate with our artists and friends.
Toronto will be a special date: the Drake Hotel is one of Tycho’s favorite venues (Scott said it was one of his best shows yet.) We always have a great time whenever the team plays there. Tickets are on sale now and discounted here.
Here are a few tracks from each of the Toronto show’s artists – including a Tycho debut.
Lusine – Two Dots
Lusine has a new album on the way, and (perhaps non-objectively) I’d venture to say it’s his best.
Here’s the first single, featuring the lovely voice of Vilja Larjosto.
Secret Frequency Crew – Neon Bridge
Here’s a song from Adrian Michna’s old group, Secret Frequency Crew, who were on the classic Schematic label. Forest Of The Echo Downs really caught my attention and made our best-of-the-year list back in ’04. It was a good preview of what was to come (busted jazz, stabbing horns, skittering Miami machinedrums) with Michna.
Milosh – Move On
Mike Milosh occupies a very distinct space in electronic music with his subtle programming and weak-in-the-knees vocals. He just released a new EP with Paul Phisterer which will make you want to plant a tree it’s so pretty.
Tycho – Coastal Brake (Manual remix)
There’s this guy Tycho who’s pretty good too. He’s got a new single coming out this summer with some great remixes. Here’s an exclusive debut of Manual‘s remix of the forthcoming “Coastal Brake.”
Muxtape is a new platform for bands to create profiles and showcase their music. It was originally designed as a place for users to upload MP3 mixtapes (like Apple iMixes) of their favorite music. This didn’t fly with the RIAA, and Muxtape had to shutdown in August of 2008; the year’s “most heartbreaking death” according to Wired. Rather than spend all of eternity in a futile legal battle, creator Justin Ouellette decided to switch gears and develop a new Muxtape centered around original content.
I haven’t had a chance to use it myself (new bands can only be invited by participating bands), but I see great potential for Muxtape. As a musician, I am constantly frustrated by the chaotic mess that is Myspace. If it wasn’t a necessary evil in the pursuit of a successful music career, I would gladly never visit Myspace again. The possibility of a new (and aesthetically pleasing!) platform is definitely exciting.
The layout of each Muxtape page is very simple and works off a strict three column grid. This creates a pleasing consistency between pages, and still allows a band’s personality to come through with creative implementations of the grid (without crashing my browser *cough* Myspace). It will of course be very difficult to compete with the reach and popularity of Myspace, but I think the simplicity of Muxtape’s design might be refreshing enough to draw a substantial number of users away. Some may miss the social networking component, but I like how Muxtape puts the focus back on the music and doesn’t allow for as many unnecessary distractions. Good luck Muxtape!
Today’s 4 picks might be my favorite in a while, all 4 tracks contain what I’d like to hear all summer while canoeing with friends, a road trip on a breezy tornado weather afternoon or maybe some pick up wiffle ball at McCarren Park.
Tom Croose set the pace on this edit he did of Beirut and with just a few additions the track becomes abit more head noddy. If you’re listening Zach Condon I truely think you should press this on a nice heavy weight 7 inch, with a spine sleeve, on a waxy satin stock and maybe some clear/slate grey marble vinyl, just a thought but i’m sure it’ll sell if you do it, count me in for 2 copies.
The small amount of City Center i’ve heard i’ve fallen in love with, he might instantly have noticeable hints of Animal Collective but without that need making it crazier than it needs to be. Fred Thomas pushes thru Bleed Blood giving us what exactly we want to hear for 6 and half minutes which are the underlaying field recording style vocals and distant surf guitar, echoed woodblocks, a woodsy atmosphere that sounds like its sucking itself inside itself and his entrancing serenade.
Read this in 2 years and i’m going to still have to say I really enjoy this song and i’m sticking to it by “Indietastic” Passion Pit. It has a familiar M83 elements to it but clearer and without the need of the synth taking over but pure good song writing for what it is which is an EPIC indie-electronic pop song.
Are you ready for this Nacho Patrol song? Legowelt aka Nacho Patrol just nailed a genre no one is covering which is the sound of 60’s Johnny Quest meets grainy psychedelic snake charming disco off the coast of an unknown island in South America. I mean come on! when I heard this on Tim Sweeney’s Beats In Space Radio I would of put money down that i’d never find this record because in my mind it was just some hard to find dirty 45 that was found magically at a Florida garage sale under a table sitting on the astroturf and nearly melted in the sun and reeking of some old women’s sun tan lotion.
Do you ever feel like I post too much electronic music? do you ever look at my post and just past by it and put on The Decemberist on? well here is my attempt to make your ears smile.
This summer has alot of promise here in Brooklyn, i’m looking forward to a lot of bands to come thru and blow me away, one in particular is the Harlem Shakes, they maybe my New Villager or your Clap Your Hands Say Yeah or your friends Passion Pit, listen and let me know what you think.
Deastro will be playing a few shows i’m sure with Tycho this year besides just the Detroit and Toronto shows coming up. Randy Chabot is a great if not amazing stage presents when you first see him perform. His sound for Vermillion Plaza is like a young U2 meets the soundtrack to Sonic the Hedgehog(specifically that 3D tube level where you run with tails…blah you might not know what I mean). Either way this band has epic talent and their Moondagger LP will be one that will be remembered on Ghostly’s release catalog.
New Dinosaur Jr. is hitting the record store shelves and all I want to do is listen to Feel The Pain.
When Tortoise comes to mind all I can think about is 3 things: First is fatty synth magic and second is there drummer can’t be a real person and third I remember the first time I saw the drummer play for Prefuse 73 in Detroit years ago and he was soo on point that he literally played one of the most complex parts i’ve seen him play all night while directing, pointing and yelling at the sound guy to the point that playing the song was 3rd on his priority list but still killed it, pure talent in my opinion, oh yeah and the rest of the band is good too.
I feel like we need a good dose of funk and soul sometimes on this blog and Monday couldn’t be a better day for it. This weekend I went to see the Stones Throw Label Showcase at Le Poisson Rouge featuring Dam Funk and James Pants, the crowd was pretty good given the fact they played the Natural History Museum the night before. Dam Funk really stuck out for me as a DJ, he kept the crowd in it by singing over every track and his personality was something you could never hate, he only wanted everyone to have a good time. Below is a super raw mix but the tracklisting is pure class, enjoy.
1.THE ANTILLES – “I’ve Got To Have You” :: Creole / ‘83
2.GODMOMA – “Godmoma Here” :: Elektra / ‘81
3.CIRCLE CITY BAND – “Magic” (instr ver.) :: Circle City / ‘83
4.UNO – “Boogie Beat” :: Tryon Park / ‘80
5.RAH BAND – “Messages From The Stars” :: TMT / ‘83
6.SIDE ON – “Magic” :: Beggars Banquet / ‘83
7.SAVANNA – “Never Let You Go” :: R&B / ‘82
8.ZALMAC – “I Get Down” :: TSOB / ‘82
9.VAUGHAN MASON featuring BUTCH DAYO – “You Can Do It” (instr. ver.) :: Salsoul / ‘83
10.WIZARD – “It’s On” :: Chocolate Cholly’s / ‘82
11.GASTON – “Everywhere a Funk, Funk” :: Chocolate Cholly’s / ‘81
12.CAROL CHINNETE w/ The Concrete Band – “Cyanide Love” :: Zilco / ‘84
13.AARON BROOMFIELD – “Polyphase (Instrumental Poly Rythums) :: Mountain / ‘83
14.*WYND CHYMES – “Baby You’re The One” :: Shakin’ / ‘80 (*’D-F’; The 1st selector on the west-coast, maybe all of the U.S., to play this particular ‘original press’ rare 45″ out!)
15.INDEX – “Starlight (The Break)” :: Record Shack of London / ‘81
16.FIREFLY – “Show Me Tonight” :: Emergency / ‘82
17.NEXUS – “Stand Up” (instr. ver) :: Mr. Disc / ‘83
18.JAMES PANTS – “Ka$h” (instr. ver.) :: Stones Throw / ‘07
19.THE VERDICT – “That’s Where I Come In” :: Nuance / ‘8?
20.PEE WEE – “Be My Girl” :: Streetwise / ‘82
21.BARON ZEN – “Burn Rubber” (dãm-funk Remix / instr. ver.) :: Stones Throw / ‘07
Whenever I can sneak in a little J Dilla on the blog it makes me smile, I feel like its never a bad thing or that someone would ever say “you know what, there is too much Dilla being played”, actually I don’t think thats ever been said, i’m going to google that phrase…nope no one has ever said it.
Just picked up that Hudson Mohawke EP on Warp on vinyl last week at Other Music but i’ve been looking for this track in the stores. The middle of the track gets a bit too airy and distant for me but the vox with those keys in the last 45 seconds makes it all worth sharing with you.
One of the most avant producers i’ve ever met is Joseph Sims aka JDSY, his aesthetics might come off as a darker Dan Deacon or a unkept geocities site that holds a hidden message but his music is unlike any other. The choices for sounds and melody patterns on his releases give me goosebumps.
Why can’t there be a great AM Gold internet radio station online? that plays Fleet Foxes and Gordon Lightfoot all day and night.
Hello, ISO Massive. I’m Sam – Scott and Jakub may have mentioned me before as SV4. I’ve worked with Jakub for a long time at Ghostly, and I have the distinct pleasure of releasing Scott’s work as Tycho on my label. Today, Scott and Jakub have humored me with some column space.
My musical history is all over the place from Hip-Hop to Italo to IDM to Funk, and i’d love to bring some of my favorite lost/forgotten gems to the table…
What i love about the ISO50 headspace is that it evokes a long-forgotten, if not imaginary, past. To my ears, these songs all share that elusive quality: it’s music from a time you think you remember, but were never alive to see.
Paul Hardcastle was a jazz guy with an electro hip-hop influence; dude was nice with a drum machine. You can still hear “Rainforest” and “19” on both late-night urban radio and at your dentist’s office. Daniel Wang put me onto this track and I later found the LP at a used-record store in Berlin. I’ve never found the opportunity to DJ with it, but it’s amazing to pretend there’s an audience that would want to get large to this.
Paul Hardcastle – Stop The Clock
Mike Oldfield is best known as the guy who made “Tubular Bells,” the eerie synth classic which was later adopted for the Exorcist movies. This cut is amazing – it makes you want to drive a speedboat as slow as it will go and watch the coastline.
Mike Oldfield – Foreign Affair
The Alan Parsons Project catalogue has some of the best “dad pop” of the ’70’s and ’80s. Parsons, a studio wizard with a great beard, was a production maverick and could write an amazing hook (“The Eye In The Sky” will make you feel like you’re at the mall waiting for your mom to run errands circa 1985). This track became big in disco DJs’ crates because of its endless groove and largely instrumental composition.
The Alan Parsons Project – Mammagamma [Instrumental]
Marc Moulin is criminally underrated and passed away last year. He is perhaps best known as part of the pioneering Belgian electronic group Telex, who have been immortalized by their Italo-style classic “Moskow Diskow” Moulin’s Placebo Years CD was reissued a few years back by Blue Note in Europe, but it deserves a much wider re-release. Moulin’s own work is more on the jazz-fusion side, but it’s heavy on the electronics, which is probably why he’s been sampled a lot – especially by J Dilla.
Burial and Four Tet have just put together probably this years best collaborative effort on vinyl. The vinyl release contains two 9 minute tracks that show off both of their skills of making catchy repetitive melodies that lay over airy soundscapes and softened keys. Moth has the potential to become a great piece to space out too while Wolf Cub asks for more of your attention while it plucks along and kicks into dubstepville.