This week iTunes is featuring 2 great records, one from Michna who is currently based in Brooklyn NY, Adrian Michna (aka DJ Egg Foo Young) has become a staple in the NYC club scene, known for his chameleon like abilities. Outside of the club, he has been able to pursue a few hobbies such as building furniture, bicycles, photography, skeeball, and gloss lustre collages. While working on his solo album, he also found time to remix the mysterious Jandek (the only artist ever to do so) and produce on Brazilian group Bonde Do Role’s debut LP for Domino/Mad Decent.
Milosh just released a follow up LP last week, its getting alot of love everywhere, its a great step forward from his previous work, the production has added tons of depth and his voice just works so well with everything he does.
When i DJ out this Michna track i usually play this My Morning Jacket song after, it reminds me of Radiohead or Midlake i think its the rim hits and the way the song swells and fills up then releases.
As for this Marumari track, i wanna share more old melodic IDM that has a lot of crossover potential, IDM can be such a focused genre of music that takes forward thinking steps on composition, i just don’t want it to ever die off and Marumari was a classic example of of focus track, the song revolves around a repetitive hook that keeps morphing and all this detail gets unveiled thru out the song.
I have been meaning to do more posts with good examples of contemporary poster art and after seeing Well Medicated’s 50 Amazing Gig Posters Sure To Inspire article I thought now would be a great time to start. Concert posters were always my biggest inspiration for getting into art and design. I like to think of my work as sort of straddling the disciplines of pure graphic design and the more illustrative styles featured in the Well Medicated post so I’m always excited to see new work from these types of artists. It always amazes me how they do so much with so little and how they stay true to the classic modernist typographic ideals. It’s very rarely that we as designers get to be truly idealistic with our design so it’s a breath of fresh air to see work like this, unmolested by the hands of middle-men and marketing departments.
On a side note, seeing a large collection of stylistically similar prints like this always reminds me of the rather strange disconnect I’ve noticed between the world of gig poster artists and graphic designers. A good example would be FlatStock at SXSW; that whole scene always seemed to me to be quite insularly while a lot of the design festivals I end up presenting at seem to fall short in their representation of the poster art world. Perhaps I’m missing something, but you’d think there would be more overlap between the two worlds given how much the output has in common.
Since there are 1,000′s of 12″ electronic vinyl still coming out every week to record shops a lot of the labels have taken design more seriously to catch the record buyers attention by keeping a consistent layout and font for their stock sleeve jackets that hold the vinyl. I collect alot of these stock sleeves, i thought this would be a good way to post some vinyl versions of songs too and show you some of the record sleeves that don’t make to the people that only buy CDs and MP3′s. These first 2 are Kompakt’s TOTAL series and REKIDS regular stock jacket that usually changes up alot but they keep the same font and usually keep it centered.
UPDATE: One other thing is that a lot of vinyl doesn’t make it to CD unless the musician does an album with the same label and CD’s are pressed or if it gets licensed to a DJ mix CD or podcast.
DJ Koze – Zou Zou
Radio Slave – Screaming Hands (Cosmo Vitelli’s Radioaktivitat remix)
Update: as many pointed out in the comments, this is set in France, not sure where I got that UK reference. I guess I had Cunningham’s work stuck in my head while I was writin.
I was debating whether or not to post Justice’s new Romain-Gavras directed video for Stress just because it’s so damned violent. Like out of control, completely senseless violent. But I decided it would be a nice counterpoint to Justice’s last video so I decided to put it up. The video follows a gang of youths around the city as they cause mayhem and beat the hell out of people. It’s set against the familiar dreary backdrop of urban UK streets reminiscent of Chris Cunningham’s Come To Daddy video for Aphex Twin (which is equally disturbing, but at least no one gets a bottle smashed over their face in that one). I’d be interested to hear what everyone’s take on this one is; right now it feels intense but I’m having trouble finding any deep meaning beyond that initial visceral reaction. But perhaps that’s the point.