Usually every Monday morning I head over to Resident Advisor to check out what weekly dj mix is up. My all time favorite mix on there is this Mark E mix, It was the 112th one up, I think they’re in the 140’s now . This one really kicks off at the 11:30 minute mark and its literally smooth sailing and slow head nodding in your chair(if you’re working and listening) from there on. Some of the highlight tracks are the LTJ Experience and the Marvin Gaye edits but once you get into the meat and potatoes of it I personally lose it, its like watching saltwater taffy, milk chocolate, and crayons being made in front of you on repeat all at the same time, its just this perfect slow tempo and you end up losing track of time.
TRACKLIST STL – Foggy Beats – Something Amp Fiddler – You – Genuine Try to find me VOL 1 – Make Dance – Golf Channel Cole Medina – Love You Inside Out (Pinches Mix) – House Arrest Mark E – Untitled – Unreleased Grace Jones – La Vie En Rose (Mark E edit) – Unreleased Bogdan Irkuk – Carpice – Rollerboys Recordings Rondenion – Precious Time – Parker Music Works Mark E – Get Yourself Together – Unreleased LTJ Experience – I Love You – Irma Marvin Gaye – Heavy Love Affair (The Revenge Rework) – Unreleased Birth Control – Plastic People (Medit) – Unreleased
Dial’s new signing Christian Naujoks shows that the Hamburg based label isn’t just sticking to deep minimal 4/4 music, Naujoks album is full of exciting new sounds like Maladies which is just vibraphone and piano together and somehow it still feels like it fits perfectly on Dial, I should of turned my vibraphone techno demo into them in years ago, oh well.
Osborne(Todd Osborn) aka Soundmurderer aka Clutch aka TNT aka Superstructure(who put out Clone A which was a midi version of the whole Kid A album, its nuts) is one gifted man, i’ve only got to meet him a few times and every time i’ve been lost for words so it only gets weird hah. Todd has an array of unique things about him like building his own computers, instruments, and even a hovercraft. He is also one of the only people I know that has this many monikers but actually makes use of them and are needed since his sound varies so often. As for the song Fire i’m pretty speechless, its simple and classic disco but this is the same guy that puts out ragga-jungle and ghetto-tech, so it just makes me think about what else he has in his vault.
I think Swayzak’s Low-Rez Skyline holds a certain place in my heart for easing me off techno nearly 10 years ago, it was like Ritalin for my friends that only thought techno was for dancing. Its a pretty easy going and perfect song to put on for someone that you may know that needs help getting off club music.
I know i’m bookending today with 2 vibraphone songs but its Moondog a blind American composer who was a terrrific street musician and also built many instruments, he definitely needed to be in the same post as Christian Naujoks and Todd Osborn.
As for the video below, its for Osborne’s song The Count which is on the same EP as Fire, the footage is from The New Dance Show(Detroit’s American Bandstand) that was played on a Southeast Michigan public access channel in the evening on the weekend in the early 90’s if I remember correctly, I remember sitting infront of the tv watching it with my little sister.
Went to my first Dub Wars a few weeks ago which is a monthly in New York that usually is mostly Dubstep, since then i’ve been hooked on the really low end heavy tracks like Lukid’s Slow Hand Slap, its hard to listen to if you don’t have good speakers because a lot of fun in listening to the songs is the ultra clean warmth the kick has.
Recently we hosted a mix that featured this Viul song Wound Cotton Wound which is out this week and includes a Benoit Pioulard remix. Viul is an ex-band member of Esmae which Benoit was the drummer and Viul played guitar. I love the control on the range in the static sound Viul makes, its more inviting to new listeners and half way thru he lightly eases in acoustic guitar and pulls back on the noise, a perfect song to listen to all the way thru for friends that haven’t heard of Fennesz.
I haven’t heard from Deadbeat in ages but he was one of the first consistent Minimal Dub producers around and released on the great ~scape label out of Germany. Organ In The Attic Sings The Blues cuts out the MCing and generic raggae sound and plays around in the more interesting yet always enjoyable experimentation of new sounds in a genre thats been around for ages.
Norway is pumpin’ out the slow disco producers left n’ right and they all have been pretty impressive especially Blackbelt Andersen who has a new record out that is self titled. Reminds me a little of what I loved about Swayzak’s Snowboarding In Argentina which i’ll post later this week.
On a side note I never get to thank you all enough for checking out the blog and the music daily that we get to share with you. It really means a lot to me when I find out any of you go out and support the musicians hard work by just buying a $.99 song or when you just find a new song here that you want to listen to over and over by just streaming it, all of you are a pretty amazing in my book.
Lusine does it again with a gorgeous ambient album called Language Barrier, I don’t know how he does it but he cuts up the lyrics and they still sound like honey being poured onto baby oil, makes me want to bash any music I make out the window using that cricket bat from Spinal Tap.
Modeselektor + Apparat = Moderat, I wasn’t a big fan of Modeselektor besides one song that i’ll post next time but i’ll buy anything that has Apparat on it. This pairs up nicely with the Telefon Tel Aviv album, I really need to sit with this record again because only a few tracks grabbed me. A New Error has that colossal analog drive to it that is always nice to lose yourself in for a few miniutes.
I was doing my best to steer clear of this Dark Was The Night compilation just because I felt like everyone already had it and no one needed to read about it but here it is The Books feat. Jose Gonzalez covering Nick Drake and all its glory, all joking aside this is an amazing cover and love both the musicians doing the cover.
DJ Koze just put out a CD that compiles all the remixes he did over the years, I especially love this Heiko Voss one and the Matthew Dear one is pretty outstanding as well.
I haven’t done a mix since 2005’s Pink Rest At Low Levels which you can download here, its an ambient/IDM mix of my favorite music I’d listened to when I would fool around in Adobe Illustrator. This new mix called Goodnight Gracie is kind of an ode to a weekly I did for 3+ years with Matthew Dear, Ryan Elliott, and Scott Brandon at a lounge called Goodnight Gracie in Ann Arbor. Ryan Elliott and Matthew Dear now are big international DJ’s and Scott and I took the night over once they started touring. Ryan would let me open nearly every night and play ambient and deep melodic house before they went on so I could hear Broker/Dealer on decent speakers, I hope you can at least enjoy the end.
Markus Guentner – Untitled 3 – In Moll – Kompakt (2001) Audion – I Am The Car – Unreleased – Spectral Sound (2009) UND – Ambivalente – Maxfield – Defrag Sound Processing (2005) Pleite – Pleite – Pleite – Trapez (2003) The Librarian – The Hornet’s Nest (Teef Antihisatmine rmx) – ModeTwo – Moodgadget (2009) Sten – Way To The Stars – The Essence – Dial (2008) Omar S. – Oasis #1 – Oasis EP – FXHE (2005) Pepe Bradock – Deep Burnt – Burning – Kif Recordings (1999) Cobblestone Jazz – 5th Element – 5th Element EP – Itiswhatitis Recordings (2002) Daso & Pawas – Det (Schatrax Beats Plus rmx) – Det – Spectral Sound (2008) Pigon – Promises – Promises – Dial (2007) Lusine – Excess – Push EP – Ghostly International (2003) Slowdive – Good Day Sunshine – Souvlaki – SBK (1994) M83 – I Guess I’m Floating – Before The Dawn Heals Us – Gooom (2005)
Prefuse 73 patches together a very strong 30 track LP called Everything She Touched Turned Ampexian, The artwork looks like it was thought out nicely and so was the record. Mr. Herren has reached a great level in music making which is instead of selling out and going the Steve Aoki celebrity DJ route and writing ringtone rap like some other fading stars that i follow on twitter. Herren sounds like he got to a point where he could really push his sound past glitch hop and more into sampling live instruments in the studio which should be every musicians dream but it isn’t anymore. Now he probably will get to work with great musicians and if anything I hope to hear some more collaborations with him and other New York bands.
New Doom is finally out in stores, it features this amazing Raekwon track and he also MC’s over J Dilla’s Lightworks!
Sex Trothler better known under the name Seth Troxler releases again on another Brooklyn based label called Wolf+Lamb Music. The sound reminds of straight early to mid 90s Detroit Techno that was minimalist, melodic, raw, and forward thinking. The vocal is a definite plus, it sounds like a proud diva, something many other younger producers would never of had the courage to touch.
Denmark not only has one of the best looking national flags but they also have one of the best looking and sounding bands called Choir of Young Believers and this group last night at Pianos gave me goosebumps 5 times. The couple remind me of if Band of Horses wrote more gentle songs that were less southern and more Scandinavian. If you live in New York come to The Delancey tonight, they’ll be playing there and the grand opening of a new bar in Brooklyn that is owned by the people that own the Cake Shop called Bruar Falls this Friday.
The new Clark record is out on Warp this month, I grabbed the ambient track to share with you all, i’m really loving how that color scheme worked out for that album cover.
I rave about this Studio band a ton here and posted about how D. Lissvik who is half of Studio did a solo album awhile back and now he is remixing and he did an amazing one for Fever Ray who is half of The Knife who is everywhere from in Nylon to the front page of Pitchfork recently. The remix is perfect Caribbean sounding slow disco and the vox fits perfectly, you can grab it up on XLR8R right now for free.
Choir of Young Believers – Why Must It Always Be This Way
Kelpe might have made of my favorite 1+ minute intros to a song with the beginning of Cut It Upwards. It has hints of Four Tet and early Manitoba(aka Caribou) to the point that I think he was almost trying to replicate their sound, either way the track came out great with quality samples.
Tom Croose comes out with his first remix of one of his own songs as Worst Friends, the song will be out today on an EP with additional remixes by Shigeto and Bostro Pasopeo. Tom will be djing in San Francisco this Tuesday, you should definitely swing by and say hello if you’re in the area.
I’m sure Der Zyklus gets plenty of comparisons to Kraftwerk, I swear i’ve heard this with an Erlend Oye acapella over it years ago but I could be dreaming that up. Such a gentle track, if Tron ever made a snow globe as a promo item this song should be the midi song that plays while neon and black glitter swirled around.
Fred Falke doesn’t do many remixes that aren’t nearly perfect for playing out on the weekend, this remix for Hot Chip could be one of the best remixes they will ever get.
Kelpe – Cut It Upwards
Worst Friends – AG (Tom Croose Innerspace Ski Boot Mix)