I found more CFCF remixes to share with you guys, a real proper remix that shows off the same talents he displays time after time, this track reminds me of a housey earlier Royksopp without the vox.
When I first heard Popnoname on Kompakt he was doing mostly singles for the Pop Ambient compilations, really nice smooth digital stuff but I never checked him out beyond that. This is more on a pop tip, vox with a rolling synth melody, simple and easy to swallow.
I wouldn’t miss putting up a new Toro Y Moi even if you told me we all already heard it before, loving this one he did for The Longcuts, its back to what I love most about his production.
I can’t figure it out but I think Duliatten Disco Dancer is the very talent re-edit disco master Todd Terje but don’t quote me on that, loving this worldly psych disco cut even if the guitar gets alil out of hand at the end.
Dusty Brown - This City is Killing Me - Artwork by S.Hansen/ISO50
I’m very pleased to announce that the new Dusty Brown EP, This City is Killing Me, is now available. I’m even more pleased to announce that Dusty was generous enough to give it to us for free. If you like it (which I am sure you will, just have one listen to “Back to Back” and you’ll be hooked), please consider supporting his music by making a donation.
For the uninitiated, Dusty Brown is an insanely talented Sacramento-based producer and musician who, along with his eponymous band, creates a sort of beat-centric clash between raw ambient-electronic and synth-driven indie rock. Dusty got me into the live music scene when I was starting out in Sacramento and over the years we’ve collaborated on all sorts of projects. I’ve learned more about music from Dusty than anyone else; his production style and methods are truly awe inspiring. People who have been following along for a while might also remember that Dusty did all the flash work for both the original versions of the ISO50 portfolio.
I’ve really been anticipating this EP so it was great to also be able to create the album artwork for the release. The artwork is based on the photography of another incredible talent from Sacramento, photographer Raoul Ortega. The front and back covers feature various images from this set which Raoul shot with the Canon 5D at Dusty’s Harlow’s show last week. It’s so inspiring as a designer to work with talented photographers; images like this are just begging to be treated and make the whole process such a pleasure. The EP download includes print sized versions of the front and back covers.
I recently put together a collection of remixes that weren’t really out there that were related to the Moodgadget label I run. It’s a very diverse collection of new and old songs from the catalog and I thought the ISO50 readers could be the first to hear and download the compilation, let me know what you think, enjoy your weekend.
TRACKLIST Benoit Pioulard – Forming At The Mouth (Worst Friends remix) D. Gookin – Glad I Met You (Mux Mool remix) Machinedrum – Fresh Kids (Mogi Grumbles mix) The Young Friends – Be My Baby (Boyfriends mix) Shigeto – Life Eternal (A Setting Sun remix) Body Language – At A Glance (Toro Y Moi remix) Praveen & Benoit – Embers (Shigeto remix) Addled – Heartbreachno (Frank Omura remix) Mux Mool – Eagle Fantasies (Tom Croose’s 60 super bowl champs remix) A Setting Sun – Sun Hammer Pounding (Joe Lapaglia mix)
CFCF have been my favorite remixers as of late, they always stay at a great pace and grab perfect elements away from both slow disco and house, this one for Jori Hulkkonen has been my fave.
I’m not sure if this is old or new Portishead but I just saw it featured up on iTunes and it caught my ear, i’m a sucker for her voice and that Moroder like driving synth.
More remixes from the master Superpitcher, back in the early and mid 2000’s if you had a Superpitcher remix on your 12″ you were pretty much guaranteed record sales, those were the days.
One band that I haven’t seen live yet but are on the top of my list is Blondes, they play a ton here in Brooklyn but I seem to miss them everytime. This song Spanish Fly might have elements of the whole post Animal Collective sound but way more electronics pushing the song forward.
Past is Prologue — my first album as Tycho to be released on a label — has been reissued by Ghostly International and is now available on iTunes (and, as always, at the ISO50 Shop). the reissue includes an exclusive remix by Mux Mool of From Home.
I often get asked about the lineage of this album, which has taken on many forms, so I thought I’d lay it out here. The original release was entitled Sunrise Projector and was self-released. Later, Merck records picked it up and released it as Past is Prologue. The Merck version featured new artwork, two new original songs, and two new remixes — but was missing one of the tracks from the Sunrise Projector release. Merck also released a 12″ vinyl sampler featuring 5 tracks from the album. Now, ghostly has released this digital reissue which features the new Mux Mool remix. Hope that clears it up!
I think i’ve posted 3 songs by Solvent this month, I guess I just can’t get enough, here’s a new one from his album that came out this month called Subject To Shift. Yesterday I got an email that he’ll be starting up his old label Suction Records which got me really geeked, some of the compilations on that label really kick started my love for this kind of synth pop.
Oval is back and i’m loving it, he’s touching on that sound that Caribou and Four Tet are known for, pretty ace.
I’m really into Pictureplane but I can’t imagine they’ve been sequencing electronic music for more than 2 years, either way i’m loving this track.
Light Asylum is the most unique project i’ve heard live in some time now. I can’t get enough, that vocal paired up synthesized percussion is bringing back nice memories.
Dusty Brown will be playing live this Friday (May 28th, 2010) at Harlow’s in Sacramento. Their shows are always worth checking out — few can match the intensity and raw emotion they exude on stage — but this one promises to take things a step further. They’ve put together a full band and reworked all the songs with fully live arrangements for this set. It’s always interesting to hear how predominantly electronic music works in a live context, particularly with a drummer. I saw Caribou and Toro Y Moi last night here in San Francisco and that was certainly a treat to hear how the songs had changed between the studio and the stage (more so with Toro Y Moi as Caribou’s records are essentially rock at this point anyways). I’m looking forward to the same from Dusty and co. on Friday. Hope to see you out there.