Update: If you’re looking to purchase the print it is now available here: studio.iso50.com
Ghostly International (the label I record for as Tycho) asked me to design a commemorative poster for their 10th anniversary concert series. This is the first print in a series I created for the events. The others will be released over the coming week with the flyer hopefully coming tomorrow. This print will be available soon as a limited edition large-format Giclee; pricing and availability will be announced next week. If you would like to reserve a print please contact studio [at] iso50 [dot] com.
The next poster will be the individual design for the upcoming Chicago 10 Year show where I’ll be playing a Tycho set along with Solvent, Kill Memory Crash, and Dark Party. More information is here.
This first poster lists all the Ghostly 10 year show cities: San Francisco
I’m participating the Back in Black T-Shirt exhibit in Tampa, FL this year. The video above has some stuff from last year’s event, they basically bring together a bunch of artists and we all design a black t-shirt. No rules, pretty fun. You can see a small mock-up of my design for the exhibit (above). They should be posting a larger version at the Back in Black site shortly, but I just turned in the artwork so this is all I have for now.
I’ll also be playing a Tycho set as part of the Back in Black 2 party on Saturday, May 16th at the Imperial Theater. I’ll also be bringing out the projectors and doing the live ISO50 visuals along with it. All the details are below:
Tycho / ISO50 Live – Saturday, May 16th, 2009
Location: Imperial Theater – 1420 E. 7th Ave. Tampa, FL
Free entry, 18 & Over
Tycho set starts at 12 midnight. Back in Black Website
So considering all the infinite hype surrounding it, I’ve finally been experimenting with Twitter over the past couple weeks and I have to say, it’s been surprisingly fun. I hooked the blog up so that all the posts are linked up on my Twitter page (using Twitter Tools) and it’s been an interesting way to communicate via a more direct route than is possible with the blog alone. I’ll be posting up giveaways, extras that didn’t make the blog, process stuff (pictures of the daily work), and random other tidbits here and there. It will also be the front lines so you’ll be the first to hear about anything useful or interesting before it hits the blog.
With spring all but here (at least in San Francisco) I thought it would be a good time to whip up some new tees using American Apparel’s summer-friendly Tri-Blend Heather shirts (50% Polyester / 25% Cotton / 25% Rayon). The result is this new 1976 on American Apparel Tri-Blend Heather Blue. When I first designed the original version of the 1976 tee, I had this sort of vintage track tee vibe in mind. At the time, AA didn’t offer a Tri-Blend shirt in blue so I ended up going with the cotton baby blue — which I think has it’s own thing going on — but once I saw the new tri-blend blue I knew it would be perfect for a subtle remix.
Shirts have always been a fun design challenge for me. Unless you’re a pretty big company, you’re pretty limited in your color choices when it comes to blank shirts. Sure, American Apparel (one of the blank shirt manufacturers with the best cuts and colors) has a great selection of colors, but most are pretty straight-forward, bright colors. For most of my designs I envision washed out, faded colors and there really aren’t that many companies offering that kind of blank these days. AA’s tri-blends come very close and the fit and feel are incredible, so I usually end up going with that combo. But it can be a rather daunting task to balance your Pantone ink choices with the dye colors to try and reproduce the style and look you’re going for. You can always mock it up in Photoshop, but you really never know what it’s going to look like until you print one up and see the real thing.
After all that comes the task of trying to get photos of the shirts that accurately reproduce the color and texture, which can be even harder than designing the shirts in the first place. This time around I had a Gretag card and some color-correct CF lights so it went a little more smoothly. I shot in NEF format RAW on the Nikon and got some pretty usable output this time. The process of brining the RAW shots in is always a bit tedious, but it definitely yields more accurate and flexible results. I usually try to get one shot that’s as color accurate as possible (first shot above) for the storefront, and then another, more effected version (second image above) to give another perspective on the shirt. I’m still planning to rent a better lens for a day or so and see if that helps any, although after this most recent session I am feeling a little more confident with my D80. Also, a quick thanks to my little brother Kirk for modeling the shirt! I usually have to hold the remote while taking the shots of myself and it’s a lot harder to frame up shots and get the settings down that way.
Ghostly, Xlr8r, Red Stripe and Jimmy’s Lounge Present: Attn: This is a Daytime show, starts @ 2PM
The Ghostly 10 yr Anniversary – 2nd Installment – Los Angeles
Michna w/ Raw Paw LIVE
The Sight Below LIVE
Kate Simko LIVE
Eliot Lipp LIVE
…and more TBA
Sunday March 8th
@ Jimmy’s Lounge
6202 Santa Monica Blvd., LA
I’ll be participating in my second Layer Tennis match tomorrow, Friday, Feb. 6th (here is an archive of my first match). For the uninitiated, Layer Tennis is a live event where two designers volley a .PSD file back and forth, adding to the image each time and playing off their opponents work. All of this is commentated in real time by the event organizers — Coudal Partners — at the Layer Tennis site. This will be the season opener so the format will be a bit different. They’re calling it “Around The World” and this time there are ten players who each play in succession, based on their global location. Here is the list of players with serve times (Chicago — where Coudal is based — time in parentheses):
Layer Tennis – Around The World – Friday, Feb. 6th, 2009
Scott Hansen – Noon in San Francisco (2:00 CST)
Armin Vit – 3:15p in New York (2:15 CST)
Evan Melnyk – 3:30p in Montreal (2:30 CST)
Tom Muller – 8:45p in London (2:45 CST)
Adriana de Barros – 9:00p in Lisbon (3:00 CST)
David Rondel Cambou + Nathalie Melato – 10:15p in Paris (3:15 CST)
Armin Osmancevic + Werk – 10:30p in Stockholm (3:30 CST)
Briana Bolger – 11:45p in Kiev (3:45 CST)
Jose Illenberger – 6am Saturday in Manila (4:00 CST)
Fanny Khoo + Tom Merckx – 6:15a Saturday in Singapore (4:15 CST)
Alex Cornell has been my intern for nearly a year now and I thought it would be a good time to bring him on as a contributor to the blog. You may remember Alex from the student project post a while back. Being a grad student at the San Francisco Academy of Art (as well as an accomplished musician), he’s exposed to a side of design I don’t often see and I think that will bring a fresh perspective to the blog. So please give Alex a warm welcome, his first post should go up later this evening.