It was a pleasure as always to visit Toronto, I really appreciate everyone who came out to the Function 13 gallery and the show afterward at Nocturne, I had a great time at both. Unfortunately I didn’t bring my camera (it’s a long story, but some last minute baggage issues didn’t leave room) so I don’t have many pics from the night. Luckily, Sean Pollock from The Buzzout Room (a great radio station by the way, you can stream it here) brought along his Canon 5D MK2 and got a couple shots of the gallery (shown above).
A couple others brought out their cameras — among them Bram Timmer who also has a 5D MK2, I was pretty jealous — so I’ll try to get some shots from them and post up a full set of the gallery. If anyone has some decent shots let me know.
As you can see I went with the bulldog clips for mounting the prints. Thanks to everyone for the great suggestions in the original gallery post. I experimented with neodymium magnets but had some issues with grip, the posters kept slipping from between them. I ended up spray painting bulldog clips white and hanging them over long, thin nails so that the piece stood off the wall a little. There is a strip of 2″ tall foamcore that runs the width of the print clipped behind each at the top and bottom. This helped straighten everything out and give a “mounted” feel without the need to damage the back print. I was really pleased with the results, under the gallery lighting the whole thing really came off dramatic. The lack of a frame and the inch between the wall and the print really made the piece feel more accessible and hilighted the texture and feel of the Hahnemühle German Etching paper. Thanks again to the guys from Function 13 for helping out with everything.
I made it in to Toronto tonight, pretty easy day of travel. Unfortunately there’s a little bit of rain but I hear it will let up by tomorrow evening. I went over to Function 13 Gallery tonight to get started setting things up, I’ll be hanging all the artwork for the ISO50 show tomorrow.
The gallery show will feature a lot of new work along with some old stuff. I ended up going back and reworking everything, pulling out the text and just leaving the artwork. It was a pretty fun process stripping things down to their core elements, it’s always a nice test to see which images stand on their own without the accompanying type. A couple posters — such as 1971 and Madrone — couldn’t do without the type so I just tried stripping out some other extraneous elements. Going back through some of the older files was pretty surprising, it was interesting to see how much my technique has changed over the years. Some were just a mess, it felt like restoring an old house removing all the heavy handed distressing and randomly placed elements. It was great to see the results, I feel like the core concepts of a lot of the pieces can breathe a lot better now.
I’ve also got some new stuff in store for the live Tycho set; a few new songs, some remixes, and reworked live visuals. It’s been pretty stressful over the past week getting ready for this but it all came together over the past few days so now I’m just excited to get it all out there. Hope to see you out tonight. Click the links below for more info.
Also, if you enjoy all the music posted on this blog (which is pretty much all Jakub), then you will enjoy Jakub’s DJ set tonight. He’ll be playing as his DJ alter-ego Aarnio tonight at the show.
As promised, here’s the final poster for the Analog Visions show on Friday in Toronto. In case you missed it, I’ll be doing a solo show at Function 13 Gallery this Friday, November 20th. I’ve been working out concepts for how to hang the posters throughout the past week, I’ve decided against frames and want to go with something a little more raw feeling for this one. The work that I’ll be showing are all printed on Hahnemühle German Etching paper which has this incredible texture. I don’t want anything to get between the viewer and the piece. I have been working with Bulldog clips and nails, spray painting the clips matte white and using longer nails to let the piece stand off the wall a little. I think it’s going to look nice, but I’m still open to any suggestions, if you have any ideas for alternative poster hanging methods, let me know in the comments.
As for the poster design itself, I spent way longer than expected on this one. It was meant to be a quick promo poster for the gallery but the deeper I got into it the more I realized I had to finish it off properly. Once you hit on a concept you kind of have to decide whether to go all the way with it or save it for when there’s time to do it right. It was a stretch, but I was able to get it done in time (deadline was this morning) so it’s pretty nice to finally see it in it’s completed form. As you can see, this is another take on the Nocturne poster, featuring the same model. Seeing as how these events are the same night I wanted them to be related, but not exactly the same. I wanted the Nocturne design to be a little more divergent from my earlier work while this one was meant to sort of bridge the gap between new and old given the nature of the gallery show. You can see a larger version of the image over at the studio site.
The version above is probably the fifth or sixth, not counting the various in between states. The final file ended up around 4GB, 24×36″ at 300dpi but I did most of the heavy lifting with low resolution smart object stand-ins so it wasn’t too slow. In case anyone was wondering, this is the project I was referring to in the Photoshop Question / Problem post. All of the circles were smart objects based on the same photograph. As stated above, I worked with a model I shot here in the studio for the silhouettes, but I worked with another photographer for some elements of the background. I used some shots from Jacob Sargeant’s beautiful Experimental Set on Flickr for the detailing and color shifts. Thanks to Disign Police for turning me on to Jacob’s work.
Time for a day off and some much needed rest, hope to see you out in Toronto.
I’m doing a solo exhibition at Function 13 Gallery in Toronto next Friday where I’ll be showing some new work and large format stuff. I’m still working on the main poster for the event so I’ll be posting that on Monday probably. For now, here’s all the details:
The new Tycho Coastal Brake 12″ single is now available for pre-order at the shop. This 180 gram vinyl pressing is limited to 1000 copies, the first 50 of which are signed and numbered. Each order includes the MP3/WAV version which will be immediately downloadable on the release date, December 8th, 2009. Here are some audio sample clips:
I did an interview with Norway National Radio while I was there last week. It’s brief and you’ll have to speak Norwegian to understand most of it. They seemed to focus in on the political aspects of our conversation, most of the questions centered around the role of graphic design in American politics in the wake of the 2008 elections. Also, I had a cold so that’s why I sound like I just inhaled 3 packs of Camels.
After a very long couple days, I’m finally here in Tromsø for Insomnia. Please excuse the bad photo, there were these incredible landscapes on the way in but all I had was my little Canon Elph and it was very dark. As you can see, the Elph doesn’t handle it very well… Suffices to say, the pic doesn’t do this place justice; I’ve never seen anything like the view from the plane tonight. I have the big Nikon out now and hopefully I can get some good shots of all the amazing design and typography here over the next few days and maybe some better landscapes on the way out. I walked around a little bit this evening and this place is incredible. It seems almost fake, I don’t know what I expected but it wasn’t anything close to this. Wish I was staying longer.
Just a quick note about the video situation a lot of you were asking about in the workshop post: I will see what the organizers have planned tomorrow, but I’m not sure if they are set up to record. I will be doing similar workshops in Amsterdam and Toronto coming up though so I will try to get one of those taped properly.
Time to rest up for tomorrow, my sleep schedule is all wrong right now. Hope to see some of you tomorrow at the workshop.