We just got into Lisbon, already amazed. We had the good fortune of sharing a bus with the KDU on the way to the hotel, good people. I’m traveling with my youngest brother this time around, that’s him up there in the pics. This place definitely looks like a great town for photography so I’ll be doing my best to bring home some good shots. We’re here for the OFFF which starts tomorrow, we’ll be at the ISO50 booth all day so stop by and say hello if you’re in the area.
Headed out for Lisbon tomorrow morning for the OFFF. I’ll be bringing my camera and hopefully getting some good shots. I’ve never been to Portugal, just heard a lot of good things. If it’s anywhere near as great as Barcelona I’ll be happy.
There will be an ISO50 booth at the OFFF Festival complete with shirts, prints, CDs, etc. Stop by and say hello if you’re in the area, the Mercadillo is free admission. See you out there!
So by now you’ve no doubt seen this image. It was created by Shepard Fairey for the Barack Obama presidential campaign. It has received quite a bit of press and raised a lot of money. I really love this iconic image and have always respected Shepard’s work.
So about a month ago the Obama campaign contacted me asking if I would create the next poster and I of course accepted. After some rather grueling all-nighters working on it, I finally finished today. The print has been sent off and should be out very soon. It will be a limited run of 5000 copies which will sell for $70 each. For obvious reasons I can’t post an image here yet, but I will as soon as I get the go ahead from the campaign.
A PSB file weighing in at 2.77GB with nearly 1000 layers, this is the most complex, largest scale work I have ever created. The print is 23×40" which had to be created at full 300dpi resolution, so you can imagine the strain this put on the hardware resources of the new computer. But the new machine came through; it powered through a lot of major operations with relative ease and I can honestly say I would never have been able to create the illustration without this new computer, my old one would have choked very early in the process. I did have to composite some of the imagery in separate files and bring them in flat at the end, particularly some of the complex vectors which had to be created in Illustrator and then imported. Most of the layers in the file were Smart Objects which were scaled at double the actual resolution of the image, so it was almost like working with an 80" image. Because of all this, it was often very tedious, having to wait quite a while for even simple operations to complete towards the end of the process.
Incidentally, this was the first project I created from start to finish within OSX. I really enjoyed working with OSX most of the time, but there were a few hiccups, particularly towards the end. I don’t blame them on OSX though, they seem to be issues specific to Photoshop’s memory handling as they began to crop up when the image became very large (in excess of 2GB)..Here’s to waiting for CS4 64bit for Windows. All in all it was a pretty smooth process considering the sheer size of the data being tossed around in there.
It’s a great honor for me to be able to work with the Obama campaign and I am very excited about the impending release of the print. I’ll definitely post more information as it becomes available, I hear it will go to print very shortly, next week probably. Stay tuned for a comp.
Alexander Harrison sent in these shots he took of of the Drake show in Toronto. Once again, thanks to everyone who came out, it was a great night and I really enjoyed playing in Toronto. Hopefully I’ll be back up that way soon.
Just got home tonight and will be sorting through some of the shots from the trip, I’ll be posting them up soon. Toronto was a very interesting city; aesthetically it struck me as being somewhere in between New York and Chicago with a bit of Amsterdam thrown in. It seemed really culturally rich, wish I could have spent some more time to really get to know the place. Soon enough.
Just finished up my presentation at FITC Toronto. I really enjoyed talking and want to thank everyone who came out as well as thank FITC for having me. It’s been a pretty intense 3 days with two shows and a speech but all the work is finally done so now it’s time to relax and enjoy the conference and the city.
I was able to catch my friends from North Kingdom’s presentation just now. Unfortunately Rob was home sick but David did a great job. Incidentally, the shot above is from the NK presentation as it’s all I had available at the time of this post, the shots from mine will be arriving shortly.
The Drake show last night was a lot of fun; packed house, great crowd. Thanks to everyone for coming out and thanks to the Drake and Newelectronic Productions for hosting me. Above is the only shot I have at the moment, it’s from Sgraffio*’s Flickr. There were a couple photographers there last night, I will post their shots once I get them back.
Alex Harrison was also kind enough to bring his crew and film the whole thing so a live video from the night will be coming out in the near future.
Just a quick reminder: I’ll be playing live @ the Drake in Toronto tonight. Full live visuals on multiple screens. We’ll be taping this for the next album supplement so should be a good one. It’s an early show; I’ll be going on around 10pm.
04.20.08 – Toronto, ON, Canada
Tycho Live @ The Drake Hotel.
TYCHO + DJ AIA + ROLLIN CASH
SUNDAY APRIL 20 DOORS @ 8PM_$8 UNDERGROUND
Hope to see you all out!
Leaving early a.m. this morning so spent the night getting prepped and packed for Toronto. As I’ve mentioned before, I’ll be speaking at FITC and playing a couple live shows. For the live stuff I’ll be doing an all new visuals set using a new piece of software I’ve completely fallen in love with. It’s the most enjoyable app I’ve come across, maybe ever. It’s a modular video app called VDMX and it blows the doors off anything I’ve ever used for the purposes of live video. You can essentially design the way it works to your liking, you design the interface and the functionality. There’s a bit of a learning curve but once you get over that you start to realize how powerful it can be. At $300 it’s not super cheap, but considering the feature set and functionality it’s well worth it. It can do quartz composer effects and blending modes all in real-time.
I am using a Novation Remote SL and footpedals to control most of the parameters of the video portion, and a the same Novation with split parameters to control another laptop running Ableton Live. I’m also routing a set of audio outputs from Live to VDMX which then analyzes the incoming sound and modulates various parameters based on the amplitude of selected frequency ranges. Somehow VDMX is able to do this all in real time, I’m still not quite sure how.
There’s a show Saturday and Sunday night, I’m hoping to video tape the show on Sunday night at the Drake but it remains to be seen if we can track down someone to tape it on short notice. If you or anyone you know has proper video equipment and some skills to go along with it, let me know.