A few days ago I posted a few US dollar redesigns, none of them really caught my eye but I had a feeling our readers could do better and you all responded positively so lets get this started.
1. You must submit four bills (1,5,20,100) of any rectangle dimensions.
2. You must include this letter/number combo somewhere on the bill ( I 50502012 X )
3. A signature of some sort has to be included on all the bills
4. Include the number of the bill spelled out and include or create this stamp
Please submit to jakub at iso50 dot com by October 1st 2012. Judging will be by Scott Hansen and the ISO50 contributors.
We will pick 2 winners.
1st Prize includes any ISO50 Tee along with a signed ISO50 Studio Edition Print.
2nd Prize includes a Standard ISO50 Print and a ISO50 Sticker Pack
A great practice idea for graphic designers is redesigning the US Dollar, compared to Canada and many European countries I feel we just got screwed a bit, while the detailing in the US dollar is classy I feel like the overall collection from coin to paper is not the best it can be, I don’t think any of the designs above are the answer either. I was thinking would anyone be down to submit redesigns to ISO50 and we can have a contest with giveaways? Let me know below if its a good idea and i’ll get together a submission post.
1. Initial photo (architectural feature)
2. Cropped and mirrored
3. Cropped and mirrored and layered in Image Blender
1. Initial Photo of some shadows in a corner (taken with Stilla)
2. Cropped and mirrored
3. Final Image layered in Image Blender
1. Initial photo of some stairs
2. Mirrored (you may notice a habit here)
3. Final image layered in Image Blender
The first photos I started using in my designs were simple textures. (we’ve all seen the explosion of texture sites out there) but lately I’ve been using photos to get shapes that typically I would have drawn before. This has been largely driven by having a decent camera in my pocket at all times, allowing me to capture random staircases or light hitting the corner of an architectural feature just right. I find the natural light and texture in photographs have so much more depth in the final product then what I can come up with in photoshop …and its much easier to get to the end result.
Posted by: Seth Hardie
Blog and personal favorite visual artist Leif Podhajsky just updated his site recently, and as usual, mind blown!. Most notably: Dan Croll’s ‘From Nowhere’ 7″ artwork (first and second images).
Wim Crouwel: A Graphic Odyssey – Digital Catalogue for iPad is an expanded and enhanced version of the printed catalogue published by Unit Editions and the Design Museum to accompany the recent Wim Crouwel exhibition at the Design Museum in London.
The App is more than the just the printed catalogue, it offers a comprehensive overview of the work of the great Dutch master, not only in pictures, but in words as well. The viewer also has access to a filmed interview with Crouwel, a photographic record of the show itself, and a range of animations using the letterforms designed by Wim Crouwel during his long career.
This all-encompassing digital catalogue offers a unique insight into Wim Crouwel’s work and archive, as well as the successful exhibition co-curated by Unit Editions co-founder Tony Brook. It’s a chance to either discover or relive the exhibition.
Editors: Tony Brook and Adrian Shaughnessy
Compatibility: iPad2 & iPad3
Size: 364 MB
Available on the iTunes Store
Dug thru a few sites to make this Japanese Sci-Fi poster collection bigger, anyone else a sucker for airbrush? seems like it took great concentration and a steady hand that doesn’t offer an eraser really. There’s something really romantic about most of these. I can really respect an artist that can create a terrain off the top of his head.
One of the reasons I enjoy creating on my iPhone, is it takes me out of my usual process. The image above I created with Fuzel It’s similar to Grid Lens but lets you make your own slices that you can load up with images. The lines are the slices I made and then I added a tringle to each slice. (I added the clouds with Blender). This is all fairly simple to do in Photoshop with masks but not nearly as simple to manipulate. Being able to tap points and change their size as I’m moving them around feels much more “organic”. I find the results are less forced and there seems to be a more natural progression of the design. I recently switched from a mouse to a tablet which I find much more natural, but you really cant beat direct contact with the screen. Posted by: Seth Hardie Instagram: @hallwood
We have featured some amazing illustrators on ISO50 such as Matthew Lyons and many others, but it wouldn’t be right if we didn’t include the amazing work of Glenn Thomas. Glenn is an illustrator and designer know as “The Fox and King”. I am constantly amazed by his use of texture and light as well as his brush techniques. He is also a top notch animator. Very quality stuff. If you get a minute, make sure to check his work out, you won’t be dissapointed.
Posted by Tav Calico