Stumbled upon this great Tumblr called Geometry Daily by German designer Tilman. Really enjoying how he’s chosen to display these creations. Plus, who doesn’t need a daily dose of geometry and minimal design?
Also, I’m currently revamping the Weekend Inspiration Posts. I’ll have one ready soon. Any ideas for subjects or topics, feel free to leave them in the comments below.
Just came across this great Flickr set of The Canadian Architect covers from 1964-67, designed by Laszlo Buday.
Also, sorry for the abscence of this weeks’s Weekend Inspiration post. I’ve been helping out Tycho with the first leg of this summer tour dates, so haven’t had much time to post, but next Friday it’s back to business as usual.
Posted by Jonathan (B3PO)
Falling in love with this site called The Noun Project which “collects, organizes and adds to the highly recognizable symbols that form the world’s visual language, so we may share them in a fun way.” I personally love the Tornado, I just keep downloading and downloading some of the great ones not even to use but just to have like some graphic design hoarder.
Jason Munn released a few prints for the SFMOMA, i’m definitely a fan like Scott was when he first posted him back in 2009. The new material has great subjects and its a style that people aren’t ever really getting sick of since minimalism and band names on posters are almost as American as Apple Pie.
The amazing work of Australian artist and creative director Leif Podhajsky has been posted about here on the blog before, but I thought I would feature him again, this time as the subject of this week’s Weekend Inspiration. I have found myself revisiting his portfolio frequently over the past few weeks, In particular for his amazing album covers, as I’m working on a few myself.
He also launched the Melt Blog and has been experimenting with video and visuals.
Posted by B3PO
What a solid collection of layout design by Korean designer Shin Dokho, I don’t have much more info but take a second and click on the images for larger version to see the details.
Poster series explaining complex philosophical theories through basic shapes, by London based designer Genis Carreras.
Aside from the posters, there is also a journal from the same series by the name of Philographics (Click on image below).
Posted by B3PO
Alex Koplin is one of the veteran commenters on ISO50 blog, while he’s been working on graduating he’s also had time to work on a few collages and some free desktops for everyone. I talked to him over the phone before I posted this and he shared that Adrift by ISO50 was an influence on the work which I thought was a good choice always to look at before working mostly anything.
I’ve always been fascinated by collage. It’s a visceral technique that emerged in the early 20th century as a form of pop art, involving the assemblage of a variety of different sources of color and texture. Inspired by a few recent projects, I set out to experiment and develop my own technique for collage. These collage/number studies are the result of my first concerted effort, and I couldn’t be happier with the results. What excites me even more is the potential to apply this technique in future projects, using different color and texture palettes, and new layout techniques. I learned about how layout and order of placement dictate the motion and flow of the collage, which can be especially noted viewing the piece at a small size, or from far-away. It’s especially interesting to think about collage in this case as a digital approach to replicating a technique that traditionally relied on the physical sourcing, cutting and gluing of materials. The affordances of applications like Adobe Illustrator and Photoshop, and the abundance of pixels to source from the internet allow us to replicate these processes without all the mess, but is this still giving us the experience of bonding with the materials as we combine and re-contextualize them to form something new, expressive, and ultimately our own? I can say I did get a taste of this feeling, but there is still a barrier that existed between me and this final result that beckons me to somehow bring this sort of technique into the material world.