Visual Acoustics is a documentary about architectural photographer Julius Shulman. It’s been touring the country since July of last year, when it premiered in Los Angeles, and just recently won an award for Best Documentary Feature at the Palm Springs International Film Festival. I guess it’s not hard to believe; mix photography, modern architecture, and film together and you have an unbeatable combination! Shulman’s work epitomizes architectural photography, and it would be fascinating to hear him talk about it and get an in-depth look into his world. I just watched the trailer and it really does look amazing. I just wish they would have a screening in San Francisco…
Anyone seen this yet?
Populating his photos with human models and striking landscapes, Shulman combined the organic with the synthetic, melding nature with revolutionary urban design. The resulting images helped to shape the careers of some of the greatest architects of the 20th Century…Through the exploration of both Shulman’s art and uniquely individualistic life, Visual Acoustics offers an unforgettable portrait of Modernism’s most eloquent ambassador. [Link]
Matthew Barney’s attention to detail and elegance has always grabbed me because I have always felt that he’s the man that can help the art world grow. The logo for the Cremaster Cycle series is gorgeous, if you ever get a chance pick up a copy of the book.
I’ve just started a film oriented design project in one of my classes, and I’ve been spending a lot of time browsing through the archives over at Art of the Title. Started in December 2007, Art of the Title is a blog dedicated to the film title sequence, and is a great resource for film buffs and designer alike. They post high quality videos of each sequence they chronicle, and usually have an interview with the creators as well. It’s amazing to see what can be done with little to no footage from the actual movie.
Objectified, the upcoming documentary on industrial design by Gary Hustwit, will be premiering soon at the South by Southwest Festival in March. It will take an in-depth look at the designers and creative processes behind some of today’s most popular objects, and should provide a great introduction into the field of industrial design.
I enjoyed Hustwit’s last film, Helvetica, and I thought it was a great way to give the general public some perspective on the world of graphic design. I am constantly asked what graphic design “is” by friends and family, and it was nice to have a film I could show them that pretty much summed it up. It was also interesting to see how the film’s release affected the use of Helvetica at school. Despite the fact that it was ubiquitous already, students suddenly became afraid of using it at all, for fear of further saturating the design community with more Helvetica, or doing something predictable.
I’m sure a lot of you will have heard of the release by now, but be sure to keep an eye out for a screening in your area. The fantastic Sundance Kabuki Theater, here in San Francisco, will be showing it on April 21st, with a Q&A with Hustwit to follow. More dates and screening information can be found on the Objectified site.
This post strays a bit from the normal audio / visual fare you might be used to finding here, but whether or not you care about the science behind this film, it’s a visually stunning piece and well worth the 5 minute run time.
Magnetic Movie is an aptly titled animated short which uses animation to visualize magnetic fields. We can normally only visualize magnetic fields in large scale contexts such as our Sun’s Corona or Earth’s Polar Auroras, so it is very interesting to be able to see the small scale fields that we interact with on a day to day basis. The animations and sound design in this short are superb. Now if we could just control these things maybe we could get a Tokamak working.
"John Whitney’s demo reel of work created with his analog computer/film camera magic machine he built from a WWII anti-aircraft gun sight. Also Whitney and the techniques he developed with this machine were what inspired Douglas Trumbull (special fx wizard) to use the slit scan technique on 2001: A Space Odyssey."
This reminds me a lot of the 70′s network identification animations. Anyone know of a modern software emulator for this sort of effect?