Some great illustrations by Sachin Teng. Really digging the color palettes and mix of geometric/organic shapes.
Scott’s trip to Graz for the recent Springfestival inspired me to take a walk through my hometown of San Mateo to see what visual inspiration I could find. One thing that’s always fascinated me is the beautiful mural decorating the front of the local Bank of America.
Consisting of 5 panels, 25′ high and approximately 90′ across, the mural was designed by Louis Macouillard and set by Alphonso Pardinas in glass tile. The panels tell the story of A. P. Giannini, the founder of the Bank of Italy (what would later become the Bank of America) who moved the bank’s records and cash to San Mateo after the 1906 San Francisco earthquake.
These pictures don’t really do it justice, so for the two of you who happen to pass through San Mateo it’s worth checking out. Anyone else have any cool hometown design gems to share?
Terrence Malick’s The Tree of Life opens across the US tomorrow, and these stills for the film look amazing. I’ve purposely been avoiding any news on it so I wouldn’t build up any expectations, but I couldn’t help but look at these images. I rarely go out to watch movies anymore thanks to Netflix, but this looks like something that would really benefit from a trip to the theater.
It’s a beautiful day outside but seeing these covers for Fontana Modern Masters makes me want to stay in and design. From Wikipedia:
The Fontana Modern Masters were a series of pocket guides on the writers, philosophers, and other thinkers and theorists whose ideas were shaping the intellectual landscape of the twentieth century… The books were very popular with students who, according to Kermode, ‘bought them by the handful’ and were instantly recognisable by their eye-catching front covers, which featured brightly-coloured geometric designs overlaid with modern sans-serif typography.
These covers are the work of artists Oliver Bevan and James Lowe, and originally they could be combined and arranged to create new works of art. When Lowe replaced Bevan in 1975 the covers dropped the full bleed pattens in favor of white backgrounds but retained the shifting geometric shapes.
Just watched the documentary on Ayrton Senna (great film) and I’m really digging the whole F1 aesthetic. These images are from The Cahier Archive, a father and son team that has covered the Formula One Championship from the 1950s to the present.
You can check out more of their work here.