What a solid collection of layout design by Korean designer Shin Dokho, I don’t have much more info but take a second and click on the images for larger version to see the details.
Infiniti is Juan Atkins, this track is classic, its soo damn good that in 5 years of doing music posts on ISO50 this is the first post of a song that how important I think this song is. Its also a song that makes you understand new music, it also makes you want to pay respect to the originators.
This Chromatics record is pretty damn popular but I find this slow jam the most appealing off of it, it just has a high repeat ratio in my iTunes, to be honest i’d love an instrumental.
HIGHLY RECOMMENDED – RAJA was suggested to me by Shigeto, this is the first track he shared with me, without going all J Dilla this beat as simple as it is really had me gravitate to it over and over. The tone at the opening gets more and more addicting, its like a synth whale, I love it.
I really had high hopes for Grovesnor so i’m always looking for new material from him, he’s great if he’s used well, this tempo is perfect for him, he needs to be on more tracks.
nicdesjardins – Nick is becoming a Trashhand jr. in a way, less on the dark feel and lighter use of contrast but the both love their urban alleys and natures small waterways.
andy gilmore – It might not be the flashiest instagram but if you want a peek into how Andy Gilmore starts his work or what are his visual influences then this is a perfect feed to follow.
chucknewham – Some people aren’t into the idea of graphic designers putting their overly worked photos on instagram, there are some parts that I don’t like about it too but chucknewham sometimes really nails it especially this simple edit.
HIGHLY RECOMMENDED: Onuinu new single “Happy Home” had me looking for his album just one minute into it. Too bad the LP doesn’t drop until August, he’s on tour with Yacht on these dates. Its like a upbeat Black Moth Super Rainbow is backing Toro Y Moi for an encore at a outdoor roller disco, everyone is dancing.
New Gold Panda dropped today out of nowhere, Derwin comes with a full sound that ramps up and builds like a classic Telefon Tel Aviv track but has hints of Caribou but pitched down an octave, an amazing follow up for recent releases that will be hard to beat. One thing I have to say is something that I learned from Mux Mool is that Derwin puts a lot of punch into his rhythm section thats what separates him from most of his following producers plus there’s a perfect level of brightness added during mastering.
If there’s any label to be excited about it should be Tim Sweeney’s Beats In Space, they’re already on release #3, sounds like original indie-disco(I don’t know if thats even a thing) Erlend Oye material, 12″ ships May 22nd I recommended picking this one up.
Time to drop it out and go a little deep, heavy beauties from Conforce, if you missed their latest album later year then I guess I just feel bad for you.
Alex Koplin is one of the veteran commenters on ISO50 blog, while he’s been working on graduating he’s also had time to work on a few collages and some free desktops for everyone. I talked to him over the phone before I posted this and he shared that Adrift by ISO50 was an influence on the work which I thought was a good choice always to look at before working mostly anything.
I’ve always been fascinated by collage. It’s a visceral technique that emerged in the early 20th century as a form of pop art, involving the assemblage of a variety of different sources of color and texture. Inspired by a few recent projects, I set out to experiment and develop my own technique for collage. These collage/number studies are the result of my first concerted effort, and I couldn’t be happier with the results. What excites me even more is the potential to apply this technique in future projects, using different color and texture palettes, and new layout techniques. I learned about how layout and order of placement dictate the motion and flow of the collage, which can be especially noted viewing the piece at a small size, or from far-away. It’s especially interesting to think about collage in this case as a digital approach to replicating a technique that traditionally relied on the physical sourcing, cutting and gluing of materials. The affordances of applications like Adobe Illustrator and Photoshop, and the abundance of pixels to source from the internet allow us to replicate these processes without all the mess, but is this still giving us the experience of bonding with the materials as we combine and re-contextualize them to form something new, expressive, and ultimately our own? I can say I did get a taste of this feeling, but there is still a barrier that existed between me and this final result that beckons me to somehow bring this sort of technique into the material world.
Before too many electronic musicians start thinking they’ve started a new genre i’d like to keep sprinkling IDM in playlists every month to remind them that IDM came and went and it was a beautiful time, this Nautilis was a recent dig up, a pretty rewarding 2 minute listen.
I love Four Tet’s sequencing style, its like a swift kick to pop musics balls.
Really into this Indian Wells track, it looks like it his first release, he’s really into tennis, tried to find some info and it was just some more tennis so I gave up writing about him and just posted his track.
Designed as a companion book to the LP-sized “Pulp Art Book: Volume One”, this much anticipated second volume builds on the first, introducing several new characters and vignettes, while solidifying Joni Harbeck and Neil Krug’s position as the hippest ex-Kansans in the contemporary art world. Poliziotteschi films were a major influence for Volume Two, in particular with the “Heist” series, which introduces Farrow, Patti and Tash. Jackie, Mystic White Flight, SummerLovers and other favorites make their appearances as well. Taken together, the characters and imagery in this fresh new collection take Pulp Art Book to a new level.
Trying to put together one of those summer mixes for a friends party, this track by Crazy P is the perfect wind down cut to place towards the end, almost the best reflection selection if your playlist was disco heavy, I hear a Rod Stewart vocal if i’m not mistaken.
Detroit Techno classics are popping up everywhere these days again, this is a must have, i’m actually surprised i’ve never posted it yet. I remember when I first heard it in a Detroit warehouse when I was probably even too young to drive, I didn’t know how to ask the DJ or if it was even okay to ask what was playing.
If you follow Mark E closely you’ll get edit treats at the same quality as Todd Terje, this one is my latest discover even though its older, the tempo has been perfected, looking to debut a DJ set in SF if anyone knows of any spots? I think this would work nicely early into the evening.
Alright on the other side of the tempo spectrum comes a classic from DJ Hell, don’t even waste your time with the song, GO DIRECTLY TO THE MUSIC VIDEO AND WATCH IT BEGINNING TO END, thank me later.