Just found a nice size collection of 1960’s Advertising from around the world on Flickr, plenty more photos of exhibitions, typefaces, tv ad’s, and print.
A friend showed me a place called Meet, seems like a nice spot for meetings but the idea is a bit too forced/corporate feeling for my taste. This is from their About Us page: “Marc and Sara Schiller, who realized that there was a need for a dedicated space in New York where creative and business executives could gather to re-imagine a business, re-invent a product or pitch potential clients. Advertising agencies, top consumer brands and television networks are among their enthusiastic clientele.”
Berlin-based Alan Abrahams has earned a lot of attention lately. His albums as Portable for the Background and ~scape imprints have garnered near-universal acclaim for their deft fusion of tribal rhythms and a modern micro-house sensibility. For his first LP as Bodycode, The Conservation of Electric Charge, Abrahams focuses on the more dancefloor-oriented aspects of his style, yielding a gorgeous album born from the belief that the psyche can be unlocked via the body. Bodycode also came from necessity ? while on tour playing club dates, Abrahams was compelled to seek the most engaging sound for that environment. Remarkably adept at its task, Bodycode?s mesmerizing percussive arrangements and subtle melodic flourishes create an immediately engaging sound that lingers in the mind long after the club has closed.
I just saw Alan aka Portable/Bodycode play last night on a freezing rooftop outdoors right around Union Square in New York and he blew my mind. Alan makes pure body music that’s straight from his roots of South Africa, if anyone is doing any tribal house music properly its him. He also slowly falls into some beautiful droned out breakdowns that aren’t like anything else, so there is something here for the world music(sadly this genre has such a bad rep) and ambient fans as well.
Download the Live set HERE
Portable – Live in Japan 2005
Matthew Barney’s attention to detail and elegance has always grabbed me because I have always felt that he’s the man that can help the art world grow. The logo for the Cremaster Cycle series is gorgeous, if you ever get a chance pick up a copy of the book.
Matthew Barney – Drawing Restraint 9 feat. Bjork
My friend Danny passed on a Glenn Branca EP to me tonight, one that I didn’t have and we started talking about him. Glenn Branca seems to be the poster boy for all the experimental guitar bands that want to do something new these days but they don’t understand that they can’t repeat the past and pretend like their doing something groundbreaking. I don’t think anyone these days would be able to put out music similar to what Glenn Branca did during the time he was doing it, you’d only be doing it for the wrong reasons. This new wave of bands in the past 8 years or so are enjoyable but in my opinion just come off as “I need attention but don’t actually look at what i’m doing because i’m actually not creative at all”. Sadly these musicians today can buy their way into sounding and mainly looking like they have some talent. Walking up and down the streets of Brooklyn you can almost smell and see the fake talent, at first you can fall for it but then talking to more and more people you end up finding out they aren’t offering up anything pure or willing to potentially going mental to perfect their technic and sound. I just want people like Glenn Branca to get more credit because listing him off as an influence only is almost saying that your similar to him but you aren’t you actually have to take any of the time that you’re getting any attention and use it thank the originator.
Addled is half of Worst Friends and he loves his Boston Red Sox, sharing what great good house/techno records come out on Tuesdays, and most importantly making a variety of music. Recently he’s worked on music that was used in a Prada video and in the past he made some of the music for The New York Times. His first EP as Addled is one that follows the footsteps of James Holden and Paul Kalkbrenner but touches a new level of listening since its less clubby than both and is more on the deeper side and melodic side.
I feel like I post a lot of Paul Simon but really I don’t actually if anything I don’t post enough Paul Simon.
I always thought I liked Sam Prekop more than The Sea and Cake but then I listened to some more Sea and Cake and realized I was thinking crazy things. Whenever I have to deal with the rock guy that thinks electronic music is too repetitive than I just have to share with him The Sea and Cake and say Its not that you don’t like repetitiveness because obviously this is amazing, it’s just that the person doesn’t care for unique sounds or can fathom the idea a synth playing more parts than their are people on stage and that just ticks him right off.
Glenn Branca – Lesson No. 1 for Electric Guitar
Addled – Heartbreachno
Paul Simon – The Coast
The Sea and Cake – Weekend
Eliot Lipp’s 2009 has been one of the more productive one’s out there, having released his new album Peace Love Weed 3D and organizing a 40+ date tour you wouldn’t think he’d have the time to head into the studio to record a live studio session. The mix features some of the more talked about names in Electronic/Hip Hop right now like Mux Mool, Nosaj Thing, Black Milk, and Michna. Some of the highlights in my opinion are Beamrider which is a live set favorite of mine and the ever so popular recent Warp track Overnight.
Eliot Lipp – Live From the Beat Bunker
DOWNLOAD THE FULL LIVE SET HERE
Eliot Lipp – Live From the Beat Bunker
Apparently the tail lights of the Volvo C30 have inspired industrial designers to construct a well thought out 3 piece chair set.
The record heads over at Kompakt have done it again by continuing to floor ambient lovers with one of the best compilation series of the 21st century. Pop Ambient 2009 has some jaw dropping moments, for example when you pick up the CD and find out that Tim Hecker, Burger/Voigt and Mint all make appearances then its an easy sell for any frequent ambient music buyer. The compilation starts out with what maybe could of been William Basinski’s original Disintegration Loops but with a layer of brass added by the ever talented Klimek. Popnoname comes in with one of the most gentle and entrancing melodic pieces. Freshman Sylvain Chauveau carries us into a more looped lo-fi laptop folk sound that seems to be a new branch that Kompakt has added under the Pop Ambient umbrella. The real show stealers are Burger/Voigt who really knock us back, the song Frieden gets me so excited that I almost become ill from my uncontrollable slow swaying, minute after minute I just think about how exciting it is to be able to own this song. For those who haven’t ever purchased a Pop Ambient compilation than this is a perfect one to begin on since its one of the more diverse and inviting collections because of its use of guitars and soft noise.
Sylvain Chauveau – Fly Like A Horse
Burger/Voigt – Frieden
Popnoname – Nightliner