Jakub Alexander curates the music selections here at the blog. He also runs his Moodgadet record label out of Brooklyn, NY and does A&R for Ghostly International Records.
Links:Moodgadget RecordsJakub's Tumblr
Matthew Dear has a new 10 inch record coming out Tuesday with a few different style remixes from DFA’s The Juan Maclean for the Pom Pom single off his latest album Asa Breed. The 10 inch vinyl can be picked up on his tour dates with Telefon Tel Aviv. The guitar is pretty gnarly in the track but what I love about it is the breakdown and the build back up. Since I put up the pretty downtempo psychedelic cuts from Harmonia(which i can’t get enough of) and DJ Shadow I had to pair up the Pom Pom track with an old favorite of mine which is this Skatebaard track who recently was on DFA’s Supersoul compilation. Enjoy.
The World is a man-made archipelago of 300 islands constructed in the shape of a world map and located 4 kilometres (2.5 miles) off the coast of Dubai, United Arab Emirates. The World is one of several artificial island projects being constructed in Dubai, others being the Palm Islands. Like the other artificial island projects, The World is built primarily using sand dredged from the sea. It was developed by Nakheel Properties and was originally conceived by Sheikh Mohammed bin Rashid Al Maktoum, the ruler of Dubai.
Each island in the archipelago ranges from about 14,000 m² (150,000 square feet) to 42,000 m² (450,000 square feet). The distance between each island will be an average of 100 metres (328 feet). The entire development covers an area of 9 km in length and 6 km in width, surrounded by an oval breakwater. Roughly 232 km (144 miles) of shoreline has been created. The overall development cost of The World was estimated as 14 billion USD. As for the individual islands, prices range between 15 and 50 million USD. One island is still for sale at a price of 250 million USD.
The project was unveiled on 6 May 2003 by Sheikh Mohammed. Dredging began four months later in September 2003. By January 2008, 60% of the islands had been sold, 20 of which were bought in the first four months of 2007. On 10 January 2008, the final stone on the breakwater was laid, completing initial development. The next phase of the project is to hand over the individual islands to developers.
I just heard people we’re buying up countries that are represented by an island. The picture above is one of the island’s guest houses.
Sorry for the mix up there, i was uploading the songs at a place with really weak internet and then completely lost the signal in the middle of previewing a post. So to make up for it I added this Swayzak song for all your troubles.
A mysterious and compelling video for a song from the mysterious and compelling Benoît Pioulard (the recording project of Thomas Meluch– we had his “Brown Bess” here on ISO50 blog earlier). “Ragged Tint” as a song hints a certain desperation beneath Meluch’s velvety purr of a voice, with its rapidly plucked chords and steady forward movement, and the video picks up on the underlying anxiety. A figure wanders through fields, comes upon a strange house, and unearths a magical box of some sort. Director Ryan Jeffery knows how to set the scene. – Pitchfork Media
I was going to save this for Halloween but its October and i couldn’t wait.
Delia Derbyshire’s “Dreams” was made in collaboration with Barry Bermange (who originally recorded the narrations). Bermange put together The Dreams (1964), a collage of people describing their dreams. It was set by Delia into a background of pure electronic sound. “Dreams” is a collection of spliced/reassembled interviews with people describing their dreams, particularly recurring elements. The program of sounds and voices is an attempt to re-create in five movements some sensations of dreaming: running away, falling, landscape, underwater, and colour.
Your soon to be favorite replacement for any downtempo/lounge music is here. As Thievery Corporation grow distant with their outdated world music people need something fresh and need to wipe their hands clean of their 2001-2002 lounge playlists. Hatchback and Sorcerer offer up some of most lovely composed albums which are at a slower tempo and are filled with lush sounds for outdoor beer gardens or creative workspaces. I can only take so much “Lebanese Blonde”, “insert latest Hotel Coste compilation track”, and “Surfing on a Rocket” while I walk thru some local overprice small plate wine bar and walk out. Let this slow motion disco grow and support it, i promise it won’t disappoint. (please note i’m definitely not comparing this music to downtempo/lounge, i think of it as a replacement for that genre)