An electronic music legend is back with a 2 tracker for us, Casino Versus Japan has always been a favorite on here since the blog started. What to expect? well the signature dreaminess and the lull that soo many artists try to create but can’t ever do as well as Erik did it, i’ve always filed him under Hawaiian Post Rock by himself.
Earlier in the year I posted Braille’s EP now we fast forward to today as we premiere a new single from his “Mute Swan” LP, enjoy the single “The Cats Gone Nuts ft. Seafloor” and the interview below.
2. The Cat’s Gone Nuts (feat. Seafloor)
3. Better Than Nothing (feat. Angelica Bess)
4. Insider Out
5. Ports (feat. Angelica Bess)
6. Ended Up In NY
7. It’s All Right (feat. Angelica Bess)
8. I Assume (feat. Jesse Boykins III & Throwing Snow)
9. Stop Drop & Roll
10. Everyone’s Crazy
12. An Oceanic Escape (feat. Olivia Sholler)
13. Gee Whiz
Ro aka Chunkers the Cat
ISO50: Dream gear set up:
Braille: What I’ve got right now works pretty well. Highlights are my Prophet 12, Rhodes, Laptop and Apollo Sound Card. I guess if I dream of anything, its having a proper piano around again.
ISO50: Dream gig line up to play with:
Braille: A Piano, Guitar and Vocal Mic
Granular Sampler with a pedal system triggering recording of each of the instruments individually
Controller to control the sampler’s playhead on each individual track
I’m gonna make this happen some day…
ISO50: Share a childhood memory that might relate to your music?
Braille: Every nightmare I ever had as a child where I was frozen by an unseen evil and couldn’t scream
ISO50: If the world lost electricity tomorrow, would you continue to make music and how?
Braille: I’d break out the acoustic guitar, find a piano and go to town
ISO50: How do you and Seafloor know each other?
Braille: We’ve known each other since our first releases during the good old IDM days. Seafloor was in a group on Merck called Landau which progressed through Landau Orchestra and Murray Flexor to its current incarnation as Body Language. He lives a block away from me in Brooklyn and has become one of my closest friends over the past 10 years or so. We’ve been working together more often the past few years, you can check out our first collaborative EP as “Rights” on Infinite Machine.
ISO50: Tell us about the album art for the EP and LP?
Braille: Anthony Ciannamea did an amazing job tying the EP and LP art together while still staying true to the vibe of the individual releases. The cover and back of the LP ties together everything from subject matter (a girl, swan feather) to instruments used (texture from a cardboard box I used for some of the percussion) without feeling too busy. Its been a pleasure to work with him and I’m looking forward to the stuff he’s still cooking up for the album release.
ISO50: Can you list off a 4 song playlist of what you listen to while
you head out for errands?
Braille: It varies but recently these four tracks have been on repeat lately:
Tim Hecker – Virginal I
Kendrick Lamar – Institutionalized (feat. Bilal, Anna Wise & Snoop Dogg)
Sufjan Stevens – Fourth of July
Flying Lotus – Coronus, The Terminator
ISO50: Something your fans might not know about you?
Braille: I’m Indorican?
ISO50: Do you collect anything?
Braille: Not really. Music and Instruments I suppose, though I know thats a very boring, expected answer.
ISO50: What is your favourite sound and why?
Braille: The sound of a minor 7th guitar chord run through a granular sampler at a very slow speed with the density and duration maxed out. There’s something so beautiful about both the concept and the resulting sound. On one hand, its a beautiful, epic textural sound and on the other its a statement about the temporal nature of sound since you are exploding a single instant of audio into an endless, living soundscape.
ISO50: Is there any sort of emotional subtext, or something that inspires you to write your solo music?
Braille: Melancholic optimism
ISO50: Any tour dates lining up?
Braille: Some upcoming dates with label mate Different Sleep as well as my release party next month in Brooklyn!
15-Apr – Los Angeles, CA – Low End Theory w Different Sleep
16-Apr – San Francisco, CA – California Academy of Sciences Night Life w Different Sleep
22-Apr – Austin, TX – Empire Control Room w Different Sleep
23-Apr – Chicago, IL – East Room w Different Sleep
8-May – NYC – Mute Swan Release Party at Cameo Gallery w Seafloor & L-Vis 1990
The more crowded the indie rock screen gets the shorter the attention span gets for fans of new music in that huge field of neo flower children and post crustpunk grungy squatters. So a lot of bands pop up just based on trend, some are easier to knock off then others take for instance that Surf Rock scene that popped up for 3 summers, a lot of just-ok came out of it but many of those bands have ditched that group of guitar pedals for new ones. The refurbished style that stretches over many genres and crowds is slow psychedelic rock with a twist. The freaks and meditative characters flourish here, 10 minute track? no problem maybe even do 22 minutes, it still fits on a side of a vinyl. If you need a short catch up, here are 3 that I have enjoyed and keep enjoying.
Oswald Mathias Ungers was known for his architecture all around Germany, what I found even more interesting were these drawings and studies he did, some became a reality and some have just only lived on paper.
Murky exploration that rolls through soundscapes of your lost Uncle’s VHS collection of softcore porn and B grade action films. Its like rolling credits of those films that you never want to end, Luke Wyatt holds that key that is the nostalgia of your best friends older brothers sweet room from 1988 that you weren’t allowed to go into. Enjoy the weekend.
I know …I know I just posted but look at that cover, I had to share plus here’s a link to the reissue that isn’t $200+. Buy here
Just saw this song drop today on Rush Hour, looked it up and it seems like this is the original release in 1991. If you want a copy from back then be ready to shell out over $200.00 on discogs.