It’s not often that get very excited about modern audio equipment but when the name Neve is attached there’s always room for an exception. Rupert Neve Designs (not to be confused with AMS Neve) announced this week at Musikmesse a new desktop console dubbed the 5060. It’s meant to be a sort of studio centerpiece and features a 24×2 mixer with sends and transport control. There are other products out there that do this (the SSL Nucleus for one) but none do it while looking this good (although not quite as good as the original Neve Sidecar). Unfortunately, as is always the case with quality recording equipment, with a MSRP just under $8,000 USD the 5060 is way out of reach for all of us mortals and will most likely exist only in the world of medium to large sized professional studios. I guess I’ll just hold out hope that in 40 years I might find one at a garage sale of some lady who’s “son left it in the attic when he moved” or whatever cliche scenario it seems like everyone acquired their choice vintage gear via.
Some new stuff from one of my favorite designers, Leif Podhjaski. He’s been doing a lot of work for musicians lately (Tame Impala, Bonobo, Youth Lagoon to name a few). Loving that Horrors boxset packaging.
Really happy to announce that I’ll be taking a break from the studio this summer to play the Lightning in a Bottle festival on July 14th, 2013. Always wanted to check out LIB, excited to be a part of it.
Update – Got the credits on this (via Tetsuo in the comments):
Art Direction – Brett Kilroe, Fab Moretti*
Design – Brett Kilroe, Tina Ibañez More Info
I don’t really know The Strokes’ music so I can’t speak to that but the cover art for their new album, Comedown Machine, caught my eye today. I absolutely love it. Sadly I wasn’t able to find much information on the designer / art director. Does anyone know who did this? The artwork is derived from the packaging for some old RCA Magnetic Tape and the oversized RCA logo is an apparent reference to the fact that this was The Stroke’s final album of a five album deal with the label. The execution is absolutely perfect; it appears as if they really printed the label and sleeve up, weathered / distressed them, and then photographed it. I’m wondering who pitched this idea, the band or the art director? At any rate, I want this framed on my wall.