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Probably the most beautiful of all the Clams Casino instrumentals in my opinion, once I finished listening to it I realized what his sound was because before I just thought he was an Art Of Noise jacker.
Sometimes its all about the simplicity and the middle bit like this Instra:mental remix of Mount Kimbie, not a new release but one worth going back too.
Soo impressed by this new cut from George Fitzgerald, all the right pieces to make a proper ode to Detroit and Chicago Techno.
New Grizzly Bear was a surprise, they’re channeling something here, more of a man rock feel but with great experimental expressions, thoughts?
Grizzly Bear’s last album, Veckatimest, has been on constant rotation over here for a while now but I had somehow missed this Patrick Daughters directed video for “Two Weeks”. It’s been haunting me ever since, I can’t stop watching it. At first it’s seems a little strange, but it’s just so beautifully shot and somehow very fitting for the vibe of this song. I love effects like these (the big eyes, etc) where you can’t really tell what’s going on for a while, it’s so clean and subtle. Warp has a full HD version posted up on Youtube here that really highlights the attention to detail. I love seeing such simple compositions that are so moving. This is all essentially one shot and it’s got me glued to the screen. The rest of Daughters’ videography reads like a who’s who of indie music, with work for bands like The Shins, Feist, Snow Patrol, and Interpol among many others.
Maybe only a hand full of you have this release marked on your calendar, maybe even less than that but I doubt it, this release no matter how good it sounds musically to anyone its a piece of electronic music history and one of the most thought out gestures you could ever give to your fans. As a record label owner this project is the pinnacle of all releases and especially during a time where digital sales have almost equaled the same amount as physical sales. The Warp20 (Box Set) contains:
- Warp20 (1989-2009) The Complete Catalogue (192 page book)
- Warp20 (Chosen): Double CD album (Ten songs chosen by you (Warp20.net), ten songs chosen by Warp co-founder Steve Beckett)
- Warp20 (Recreated): Double CD album (Twenty brand new cover versions of Warp songs by Warp artists past and present)
- Warp20 (Unheard): Triple 10” Vinyl (Completely unheard tracks by Boards of Canada, Autechre and Broadcast)
- Warp20 (Elemental): CD album (re-edits from Osymyso, made from sections, samples, & fragments of Warp music from the last 20 years)
- Warp20 (Infinite): Double 10” Vinyl (hand-picked locked-groove loops from Warp tracks)
One song that i’ve waiting to hear was Bibio’s cover of Boards of Canada, wow okay just say that out loud, now that just makes my ears smile. The man can do no wrong in my mind, he grabs the melodies from the original and I can tell from the start he has heard this song more than 100 times before, I can hear how this song is probably really close to his heart, its such a confident cover with such contrast in style and small amounts of unique character sprinkled lightly all the way thru it.
This piano piece by Leila covering Aphex Twin to me rips away at the original and gets to the core of it all, almost like a psycho analytical reinterpretation of how Richard D. James felt when he made the basic parts for the original song. One thing Leila did which is hard to match it that the tensity is almost matched to the original which would make any drill n’ bass fan fall to their knees and it was all done here by only piano.
Pivot was one of the highlights for me during the Warp 20 year show, their live show was consistently innovative and kept my attention. They picked a hard cover to mess up, its Grizzly Bear’s Colorado which has a great vocals in it, the synths they added at the 3 min mark are a complete treat and really takes this song to a new level compared to the original.
My boss/friend Sam Valenti IV is a big supporter of Gravenhurst and turned me onto them back when I worked in the actual Ghostly Office years ago, I think he’d fully support this cover of Broadcast, it has all the signature Gravenhurst elements of guitar picking accompanied by a soft voice.
Excuse the abstract image but i’ve already posted about this album in March which featured Cheerleader so I thought something a little different might be a good change of pace because every blog has been writing about this Brooklyn band. I still haven’t dove into this album completely because of DEMF but if I heard Ready, Able I wouldn’t of posted Cheerleader or Two Weeks. Ready, Able has a slow waltz and Eddie sounds abit like Benoit Pioulard to me, you see now that’s a duet I wanna hear in 2009.
One of the best voices i’ve heard live since i’ve moved to Brooklyn is a no brainer, 24 year old, Danish, Greek and Indonesian Jannis Noya Makrigiannis gave me goosebumps. He stayed at my place for about a week, one of the nicest guys, dressed like a southern European Italian Vogue farmer and right off the bat you could tell the guy had a kind heart and when he performed he looked like he was made to perform music and sing.
Nothing wrong with just throwing in a random Sonic Youth song to ground us.
Okay so i’ve become a Dubstep junkie, don’t tell anyone. I’ve looked high and low for the most energetic yet slow moving and heavy hitting tracks. I really think this might take over the US finally in 2010. This Joker cut has elements of a Top 40 rap anthem but its soo chunky, 8 bit, and twisted, i’m sure my neighbors love it too.
A new Grizzly Bear track was leaked this week for their upcoming LP that is dropping in May, its no Deep Sea Diver or On a Neck, On a Spit but what is.
Bola – Glink could be one of the most impressive builds into pure enjoyment of IDM that hasn’t been used in a film, at 2:53 I dare anyone try to write anything higher quality sounding.
Grabbed this Tom Tyler track from a Idjut Boys mix that i’ll be posting more from, sounds to me like if Beck was commissioned to work on a track with Air in 2001-2002.
What is there not to say about Panda Bear’s Person Pitch LP? the style of song writing on this record couldn’t be more interesting to me. I still don’t get how he got to this sound, seems like experimenting with effect pedals we’re a big part of the creation.
Neon Indian probably gets played once a day in my room in some form of an original, remix and now a live version for Daytrotter. His band sounds great to me, hopefully we get some of these 80s TV field recording samples live when he comes to Brooklyn.
Grizzly Bear + Neon Indian + …I think I hear a Madonna sample in the intro = amazing
Another strong FREE LP from Paul White! The man is on a roll, beening loving these 2 LPs.
Mount Kimbie are promising some young lads, they take unique production to a new level for Dubstep or whatever else this kind of music is. There is a ton to listen to which makes replaying songs that much more enjoyable.
Neon Indian – Should Have Taken Acid With You (LIVE) – N/A
Grizzly Bear – Cheerleader (Neon Indian ‘Studio 6669′ Remix)- N/A