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	<title>Comments on: SUPERGRAPHIC</title>
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	<link>http://blog.iso50.com/2007/11/13/supergraphic/</link>
	<description>The blog of Scott Hansen (aka ISO50 / Tycho)</description>
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		<title>By: James</title>
		<link>http://blog.iso50.com/2007/11/13/supergraphic/#comment-3277</link>
		<dc:creator>James</dc:creator>
		<pubDate>Fri, 14 Dec 2007 17:09:43 +0000</pubDate>
		<guid isPermaLink="false">http://blog.iso50.com/?p=271#comment-3277</guid>
		<description>Not sure what that font is, but it certainly is not Helvetica. The tail of  &quot;a&quot; in helvetica flicks out to the right, the example above does not. The mystery thickens.</description>
		<content:encoded><![CDATA[<p>Not sure what that font is, but it certainly is not Helvetica. The tail of  &#8220;a&#8221; in helvetica flicks out to the right, the example above does not. The mystery thickens.</p>
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		<title>By: Aaron</title>
		<link>http://blog.iso50.com/2007/11/13/supergraphic/#comment-1652</link>
		<dc:creator>Aaron</dc:creator>
		<pubDate>Sat, 24 Nov 2007 05:08:55 +0000</pubDate>
		<guid isPermaLink="false">http://blog.iso50.com/?p=271#comment-1652</guid>
		<description>Helvetica bold, maybe. Helvetica Neue has a much wider stance especially with the &quot;h&quot; and &quot;e&quot;...I know this because I am a design student and absolutely adore Helvetica Neue because of it&#039;s versatility. But my guess is still Just simple Helvetica...the scale can throw one off fairly easily</description>
		<content:encoded><![CDATA[<p>Helvetica bold, maybe. Helvetica Neue has a much wider stance especially with the &#8220;h&#8221; and &#8220;e&#8221;&#8230;I know this because I am a design student and absolutely adore Helvetica Neue because of it&#8217;s versatility. But my guess is still Just simple Helvetica&#8230;the scale can throw one off fairly easily</p>
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		<title>By: Aaron</title>
		<link>http://blog.iso50.com/2007/11/13/supergraphic/#comment-1651</link>
		<dc:creator>Aaron</dc:creator>
		<pubDate>Sat, 24 Nov 2007 05:03:24 +0000</pubDate>
		<guid isPermaLink="false">http://blog.iso50.com/?p=271#comment-1651</guid>
		<description>if my eyes aren&#039;t lying, the title Typeface for &quot;Supergraphic&quot; is without doubt Helvetica.</description>
		<content:encoded><![CDATA[<p>if my eyes aren&#8217;t lying, the title Typeface for &#8220;Supergraphic&#8221; is without doubt Helvetica.</p>
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		<title>By: Gareth</title>
		<link>http://blog.iso50.com/2007/11/13/supergraphic/#comment-1343</link>
		<dc:creator>Gareth</dc:creator>
		<pubDate>Sat, 17 Nov 2007 16:00:15 +0000</pubDate>
		<guid isPermaLink="false">http://blog.iso50.com/?p=271#comment-1343</guid>
		<description>Being that I was born in ’70, this interior design style was ubiquitous to the point where I didn’t give it a second thought, but by the early ‘80s I would only see it in un-remodeled worn-out public spaces like schools (especially the libraries). It didn’t age well, I recall thinking it was hideous, and as a pre-teen/teen I had subconsciously associated it with cold school-system authority. I still have that reaction to this day. **File under bad nostalgia** lol.</description>
		<content:encoded><![CDATA[<p>Being that I was born in ’70, this interior design style was ubiquitous to the point where I didn’t give it a second thought, but by the early ‘80s I would only see it in un-remodeled worn-out public spaces like schools (especially the libraries). It didn’t age well, I recall thinking it was hideous, and as a pre-teen/teen I had subconsciously associated it with cold school-system authority. I still have that reaction to this day. **File under bad nostalgia** lol.</p>
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		<title>By: Kappu</title>
		<link>http://blog.iso50.com/2007/11/13/supergraphic/#comment-1299</link>
		<dc:creator>Kappu</dc:creator>
		<pubDate>Fri, 16 Nov 2007 15:26:08 +0000</pubDate>
		<guid isPermaLink="false">http://blog.iso50.com/?p=271#comment-1299</guid>
		<description>Absolutely WONDERFUL !
...I&#039;m from France to =)</description>
		<content:encoded><![CDATA[<p>Absolutely WONDERFUL !<br />
&#8230;I&#8217;m from France to =)</p>
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		<title>By: The CANADIAN DESIGN RESOURCE &#187; Supergraphic</title>
		<link>http://blog.iso50.com/2007/11/13/supergraphic/#comment-1265</link>
		<dc:creator>The CANADIAN DESIGN RESOURCE &#187; Supergraphic</dc:creator>
		<pubDate>Thu, 15 Nov 2007 14:54:04 +0000</pubDate>
		<guid isPermaLink="false">http://blog.iso50.com/?p=271#comment-1265</guid>
		<description>[...] Looking at the box graphics, it would be easy for any DIY-minded hip-to-the-zeitgeist Canadian to have visions of fantastical geometric wall adornments dance in their head. Of course, further inspection of the box contents reveals what appears to be tape, paint rollers, and an oversize ruler. Perhaps the &#8220;Optional Item: Super-Surface&#8221; is actually pre-packaged gumption? (via Scott Hansen) [...]</description>
		<content:encoded><![CDATA[<p>[...] Looking at the box graphics, it would be easy for any DIY-minded hip-to-the-zeitgeist Canadian to have visions of fantastical geometric wall adornments dance in their head. Of course, further inspection of the box contents reveals what appears to be tape, paint rollers, and an oversize ruler. Perhaps the &#8220;Optional Item: Super-Surface&#8221; is actually pre-packaged gumption? (via Scott Hansen) [...]</p>
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		<title>By: Metin</title>
		<link>http://blog.iso50.com/2007/11/13/supergraphic/#comment-1262</link>
		<dc:creator>Metin</dc:creator>
		<pubDate>Thu, 15 Nov 2007 13:48:35 +0000</pubDate>
		<guid isPermaLink="false">http://blog.iso50.com/?p=271#comment-1262</guid>
		<description>font might be DIN Bold.</description>
		<content:encoded><![CDATA[<p>font might be DIN Bold.</p>
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		<title>By: Greg Formager</title>
		<link>http://blog.iso50.com/2007/11/13/supergraphic/#comment-1238</link>
		<dc:creator>Greg Formager</dc:creator>
		<pubDate>Wed, 14 Nov 2007 21:49:14 +0000</pubDate>
		<guid isPermaLink="false">http://blog.iso50.com/?p=271#comment-1238</guid>
		<description>The capital &quot;S&quot; doesn&#039;t look like the Akzidenz &quot;S&quot;.</description>
		<content:encoded><![CDATA[<p>The capital &#8220;S&#8221; doesn&#8217;t look like the Akzidenz &#8220;S&#8221;.</p>
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		<title>By: north</title>
		<link>http://blog.iso50.com/2007/11/13/supergraphic/#comment-1237</link>
		<dc:creator>north</dc:creator>
		<pubDate>Wed, 14 Nov 2007 21:37:49 +0000</pubDate>
		<guid isPermaLink="false">http://blog.iso50.com/?p=271#comment-1237</guid>
		<description>i myself say its looks like some variation of helvetica, but michael&#039;s suggestion of akzidenzgrotesk may not be far off, if anyone actually owns akzidenz maybe you could try and adjust it to the photographs to see if it matches?</description>
		<content:encoded><![CDATA[<p>i myself say its looks like some variation of helvetica, but michael&#8217;s suggestion of akzidenzgrotesk may not be far off, if anyone actually owns akzidenz maybe you could try and adjust it to the photographs to see if it matches?</p>
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		<title>By: Tommyjolly</title>
		<link>http://blog.iso50.com/2007/11/13/supergraphic/#comment-1222</link>
		<dc:creator>Tommyjolly</dc:creator>
		<pubDate>Wed, 14 Nov 2007 16:12:37 +0000</pubDate>
		<guid isPermaLink="false">http://blog.iso50.com/?p=271#comment-1222</guid>
		<description>I want to make love a swiss graphic designer.

I&#039;m a graphic design student myself, and am german/english. Have lived in both countries myself. Whenever I do stuff at uni (study in England), you can see my german roots popping up. Kinda Bauhaus like. Weird, isn&#039;t it?! I guess it&#039;s a cultural thing and the overall sterile look in Germany. :)</description>
		<content:encoded><![CDATA[<p>I want to make love a swiss graphic designer.</p>
<p>I&#8217;m a graphic design student myself, and am german/english. Have lived in both countries myself. Whenever I do stuff at uni (study in England), you can see my german roots popping up. Kinda Bauhaus like. Weird, isn&#8217;t it?! I guess it&#8217;s a cultural thing and the overall sterile look in Germany. <img src='http://blog.iso50.com/wp-includes/images/smilies/icon_smile.gif' alt=':)' class='wp-smiley' /> </p>
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